Theatre Editor Jay Darcy reviews the latest film in the Scream franchise, while also delving into the franchise’s history

Seinfeld is a show about nothing that speaks to us so fundamentally, but why?

It’s 1973, and in the San Fernando Valley a long hot summer has just begun. On the school picture day, 15-year-old Gary Valentine, a precocious child actor meets Alana Kane, a frustrated, bitingly sarcastic 25-year-old perpetually stuck in adolescent ennui.

Long gone are the days of Peep Show for Olivia Colman’s flawed but beguiling lead in Netflix’s latest awards contender.

Four of our film writers give their predictions for the upcoming Academy Awards

From Bonnie and Clyde to The Godfather, what was New Hollywood? Find out here

Karen’s boobs say there’s a 95% chance you’ll be cold

Belfast, an autobiographical story of Kenneth Branagh’s childhood, is an irresistibly charming and heart-warming crowd-pleaser.

Lacking that fix of cinema? Here’s a cohesive list of the most exciting things going on in Manchester and across the film world for the next month

Theatre Editor Jay Darcy explores the problems of West Side Story through its signature song, ‘America’

CODA may have been overlooked due to its innocuous Apple TV+ release but its warm yet thoughtful outlook makes it one of 2021’s best coming-of-age tales.

Will Smith delivers a powerhouse performance in the true story of Venus and Serena Williams’ rise to stardom.

Joel Coen’s The Tragedy of Macbeth is an aesthetic dream that artfully shakes up the Shakespeare cliches of the last decade and offers something truly unique.

Jay Darcy argues that the critical response to Don’t Look Up highlights the importance of the movie

Theatre Editor Jay Darcy argues that Betty White’s recent passing shouldn’t stop the celebrations she wanted for her 100th birthday

Spider-Man: No Way Home is an emotionally resonant film that will leave fans elated and excited for the MCU’s future whilst showing that Marvel movies are more than just your average popcorn affair

Full of black humour and intentional heavy-handedness, Don’t Look Up is a hilarious satire for our times and a wake-up call for humanity.

Is C’mon C’mon worth the rave reviews? Sophie Hicks reviews the latest sensation to come from A24

All I want for Christmas is better rom-coms. Emotions shouldn’t be this formulaic

Here are our least favourite Christmas films, so you can stay jolly this Christmas season