The Mancunion attend a double bill screening of Call Me by Your Name and James and the Giant Peach as part of Rough C.U.T.S’ summer 2023 film programme

Molly Manning Walker’s debut feature focusing on three teen girls on holiday solidifies its place in important contemporary British cinema

Luna Carmoon’s striking British debut traverses genres as it explores grief and family ties

Rewriting the language of the Western, Scorsese’s latest film demands to be seen as it tells the forgotten story of the Osage murders

Complex morality and comedic melodrama collide in Todd Hayne’s study of sexual assault and the tabloid media

Emerald Fennell’s sophomore feature tackles class and privilege in a bold maximalist vision for LFF’s opening night film

Rotting in the Sun’s satirical stance on human melancholy is an acquired taste but one that is completely unrestrained and wild

Get started with the films of Ken Loach with our guide to his career and filmography

Ahead of ken Loach’s latest film, the film section looks back at his late career masterpiece ‘I, Daniel Blake’ and it’s relevancy to Tory ruled Britain

Passages studies sexuality and desire through a queer love triangle but forgets about the pleasure in Mubi’s latest release

Celine Song’s debut film about past lovers and what could have been will mend and simultaneously break your heart

Chevalier, released in the UK in June 2023, strives to ascend to the heights of the greatest period dramas but falls short of that lofty ambition

The Mancunion spoke with Luke Davies head of Polari, a queer production company based in Manchester about Queer representation, the art of filmmaking, and untold stories.

Shazam! Fury of the Gods is a feel-good film which falls short of its forerunner

A. V. Rockwell shows the importance of supporting Black women in Sundance Prize winning feature debut: A Thousand and One

Sam Raimi updates the Evil Dead franchise with the gruesomely amazing Evil Dead Rise. From its effects, to makeup and its in-the-moment plot, this film will keep you immersed.

A Good Person offers a compelling meditation on grief, anchored by Florence Pugh’s lead performance and moving acting abilities.

The Mancunion evaluates whether Chantal Akerman’s 1975 film, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, is truly the best film of all time

Everyday in Kaimuki screened at MANIFF23, some aspects of the film were enjoyable but ultimately, the film was underwhelming

Carlota González-Adrio’s debut feature film is accompanied by a live Q&A for the 2023 ¡Viva! Spanish and Latin American Film Festival