Tales from a year abroad: The SEMINICI Film Festival was an enriching and welcome presence to the city

Although the film title may come across as a ‘cheesy’ or ‘cringe’, Tune in For Love not only constructs a complex notion of love, but also captures South-Korea in a period of great economic change

George Pack director of the student film “Wheels of Fortune” speaks about low budget filmmaking and the directors that inspire him

McDonagh’s newest film strikes a potent balance between tragedy and hilarity

The Mancunion film team kick off their global cinema series with a focus on French cinema

My Policeman falls flat despite its star studded cast

Despite some strong performances, DC’s latest comic book flick Black Adam is average at the very best

After 40 years Blade Runner is still an extremely poignant and thought-provoking film

As Halloween approaches The Mancunion looks into Black representation in horror films, from its tokenistic origins to the pioneers of ‘Black Horror’ today

The Mancunion film team have collated the most spine chilling flicks to keep you awake this Halloween

Here’s your rundown of summer’s star-studded, hottest box office hits

David O. Russell’s latest film Amsterdam is ambitious but fails to captivate its audience despite its impressive ensemble of A-list actors

Halloween Ends is a disappointing conclusion for the slasher franchise, feeling as if the film would never actually end

Is James Wan’s upcoming horror film M3GAN set to be a blockbuster hit or is it just too weird? We give our thoughts on the trailer

Emily Brontë’s life is somewhat inaccurately but powerfully depicted by Frances O’Connor

A look back on the life of film and television icon Robbie Coltrane

Moonage Daydream provides a satisfying account of David Bowie’s otherworldly music and artistic expressions

Triangle of Sadness fires shots at the vapidity and vainness of the rich – you are supposed to be laughing at them, not with them

Ten years after the discovery of King Richard III’s remains, Stephen Frears directs The Lost King, a comedic fictionalisation of this bizarre historical event

Netflix’s Blonde depicts a version of Marilyn devoid of glamour and character, making her an exploited woman at the mercy of men