Xavier Dolan’s brutally honest and claustrophobic new work shows us “home is where it hurts”, but its emotional disconnection makes it hard to relate, writes Joe Casson
The French film industry finds itself in a constant struggle between crowd-pleasing public films and more daring independent films
Daniel Craig’s fourth (and possibly final) round as 007, Spectre, neatly ties up all the loose ends of his era while taking us on a thrilling ride
