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Day: 24 February 2015

What has instant information turned us into?

Last weekend the Internet was flooded with the news of the death of Tony Hart, the creator of the Morph animation, who died from ill health, aged 83. People posted links to his Guardian obituary and thousands remembered fondly his legacy and expressed their sadness at his passing.

There was only one problem. Tony Hart died from ill health, aged 83, six years ago. It apparently began with the absent-minded mistake of a 33-year-old from Kent, whose wife had seen it on Facebook, and so tweeted out “RIP Tony Hart.” He found out half an hour later and corrected his mistake, but by then it was far too late.

Even public figures such as Frank Turner and Conservative candidate James Cleverly tweeted about it, and eventually the character Morph himself stepped in to say “Tony sadly died in 2009.”

This is the Internet, and we can recognise that insignificant events such as this can get wildly out of hand extremely quickly. But has the Internet made us naïve?

These days, celebrities are rumoured to have died on almost a monthly basis. In the past few years alone, rumours of the deaths of Jon Bon Jovi, Eddie Murphy, Matt Damon, and scores more have torn through Twitter feeds, causing reactions verging on hysteria.

Often these are intentional hoaxes, unlike the Tony Hart incident, but the reach of this false information and the speed it spreads goes to show how dramatically the Internet has changed our means of communication.

Spoof news websites like the Onion and the Daily Mash are now extremely important in this age of instant information. It’s important not to doubt the power and influence of satirical news sources. In 2012 the Onion story ‘Planned Parenthood Opens $8 Billion Abortionplex’ caused outrage on Facebook. Thousands believed the headline and were enraged, sharing the link and proclaiming just how barbaric it was, including a US Congressman.

While these sites first and foremost provide entertainment and satire, I’m sure that a large proportion of us have fallen foul of reacting to a fake headline before realising our mistake. What they actually serve to do is encourage us to source our information reliably and check its accuracy.

I don’t think many of us are quite used to the sheer quantity of information available online, and this clearly leads to many believing things that a quick Google search would unequivocally show up as false. The speed of looking information up doesn’t help either; in the past, finding information in a book or physical newspaper made it more difficult to make drastic mistakes as people do now.

Being still a young resource, the Web holds an odd level of control over people’s beliefs. It seems very easy to believe something you read once on the Internet, even when you’re aware how unreliable it can be. Many would gladly believe a crackpot anti-vaccine conspiracist writing a blog post riddled with grammatical errors over mountains of dry and somewhat impenetrable scientific research into the benefits of vaccinating children.

The Internet is huge—in fact, unimaginably vast. There are at least 1.2 billion websites—that is individual, unique hostnames—so the amount of information available at the click of a button is practically unfathomable, and bound to trip us up now and again. It has skyrocketed, and continues to at an exponential rate. It has become far more than the sum of its constituent parts. Perhaps we’re not used to its potential yet, or perhaps we’ve created a sort of Tower of Babel and are doomed to failure.

Do outpourings of sadness for actually-not-dead celebrities show how insincere we’ve become? In short, yes. The responses to every ‘death’ number in the tens of thousands, showing it’s not just a vast amount of information we can access, but a vast audience. We’d rather be seen to be sympathetic to a potential few than heartless to potential millions, and the Facebook-era culture of earning coveted ‘popularity points’ serves only to fuel this.

Would you exaggerate a story, or even tell a white lie, for a lot of retweets? I don’t doubt you probably would—I know I would. The Internet, ubiquitous of the forward-surging modern age, also highlights people’s primal fears and desires. We are terrified of being left behind or disliked, and reduced to working for more friends, likes retweets, upvotes, and ever-newer versions of Internet currency.

But, in reality they mean nothing. Not that there’s anything wrong with the mass approval method of entertainment, a fair and effective way of finding the best content, for the record.

What the Internet can offer, on the other hand, is a diamond mine of information.

Of course, much of it will be lies. Much of it will be Chinese-whispers-style misinterpretation; much of it will be useless. But never before in human history has so much collective knowledge been available so incredibly conveniently to so many.

Social media may have turned us into popularity-craving, disingenuous, joke-recycling automata, but the Web itself is a resource of which we have barely scratched the surface. The possibilities of creation and innovation are, truly, endless.

So no, the Internet has not made us stupid, but at the moment the human race is like toddlers with an encyclopaedia. Give us time and we will thrive.

Feature: The Virtues Of Hip Hop Masters

As Louise Middleton walked into The Mancunion office last week, few would immediately dub her a hip hop enthusiast. Calm yet joyful, impeccably dressed though still very young-spirited, Middleton doesn’t fit the type which society would usually associate to the angry, belligerent songs emblematic of the genre.

Still, Middleton recently produced a research project into hip hop language which received local and national media attention and her passion for the musical style is as evident as it gets. Her intention in conducting the project was exactly to break the stereotypes surrounding the genre:

“I did the project because it made me annoyed that people thought that hip hop was so basic and so stupid. I was really fed up of hip hop being viewed so negatively because I don’t think there is much of a reason for that.”

Middleton examined the tracks of artists including multiple Grammy award-winner Eminem and Public Enemy, finding that the rhymes that make them superstars are so intuitive they are not within their conscious control.

She examined the rhyming structures in rap music looking at rhyming patterns, vocabulary size, rhyme rate and the position of the rhyme in or across lines. This was compared with the frequency of half-rhymes, which use similar but not identical sounds and indicate a more natural capacity for rhyming and rapping than the more traditional rhymes taught at school.

“You know when you’re a child and you get asked what rhymes with this or that? You say cat, and then what rhymes with cat? Mat, bat, et cetera. And you notice that they all have that same pattern.

“With half-rhymes that is not what you have at all. For example, you could have rock and hop. So that final consonant sound is different. It doesn’t match up.”

The high vocabulary score and high prevalence of ‘imperfect’ half rhymes and unique sentence structure, over and above the use of more traditional and deliberate rhyming couplets, proved the theory that rap’s biggest stars find their success in their ability to rhyme subconsciously.

“My research found that over 70 per cent of the time artists used half-rhyme. These imperfect rap rhymes are not something that you simply come up with on the spot but something that popular rap artists have the natural ability to create.

“I think that hip hop has the most sophisticated use of rhyme of any genre and when written down and it reads just like poetry.”

The project was developed for Quantitative Research Methodology, a third year module in the Linguistics undergraduate degree at the University of Manchester. Middleton initially suggested several different project themes to her lecturer, who accepted the hip hop one with enthusiasm.

“I couldn’t believe that he took me seriously, not in a bad way, but it was just so nice. Some people would just laugh at you or turn their nose down at you but he was just like ‘no this is cool, go for it!’ and then actually suggested some papers for me to read.”

Dr. Wendell Kimper, the lecturer who supervised the project, said: “Louise’s research helps us to understand how our brains process and understand sounds. It opens up other avenues of research which could allow us to find out why some kinds of rhyme come more naturally than others and why some kinds of sounds work better as imperfect rhymes than others.”

Asked about her plans for the future, Middleton is straightforward: “Hopefully I’ll be starting my Master’s in Linguistics in September here. I would love to write all about this and maybe I will, who knows?”