Festival: Open’er
Open’er has become a major player on the international festival circuit in recent years
3rd – 6th July
Boasting a stellar lineup, whose headliners (Arctic Monkeys, Blur, Kings of Leon, QOTSA) probably best those of any other festival happening this year, Open’er has become a major player on the international festival circuit in recent years. This is due in no small part to the price of attending. 4-day tickets are available with 7-day camping and a free pass to see Rihanna the day after the festival’s culmination, should you so wish.
The price of the trip often tallies at significantly less than the total of attending a large UK festival which is fantastic when you consider that you also get a complete cultural experience, many beautiful beaches and three cosmopolitan cities to explore nearby. Flights to Poland and accommodation are also dirt cheap. Of the 120 artists confirmed, Crystal Fighters, Editors, Alt-J and the excellent Tame Impala will certainly absorb audiences in the hot Baltic sun. Finally, when you can describe acts with the magnitude of Nick Cave, Animal Collective and Kendrick Lamar as being part of the alternative section of the bill this year’s Open’er looks to be a fantastic experience all-round.
Tickets are £110, that includes camping for the week – see website for more details.
More Coverage
Preview: The Warehouse Project turns twenty
The club night series celebrates its twentieth anniversary in Manchester. Here’s how it ace its jam-packed autumn/winter programme
“We are the fucking rain!”: The Prodigy Live From Wythenshawe Park
The legendary electro-punk group return to a rainy Manchester for their third performance in under two years
Pushback online as White Hotel site to reopen under new ownership
The legacy Salford venue is set to be taken over by the owners of a nightclub next door as BASTION. Users online voiced issue about a supposedly AI launch poster, and a smoothing over of The White Hotel’s diverse gig programming
Album Review: Westside Cowboy’s ‘It Goes On’ spearheads a new era of UK indie
The Manchester quartet’s debut album is heartwarming and deftly imperfect, pioneering a new era of British indie music outside the capital







