Skip to main content

30th October 2017

Live: Beth Ditto

Performing tracks from her debut solo album, Fake Sugar, Beth Ditto stole the show with grit and Southern charm
Categories:
TLDR

Performing tracks from her debut solo album, Fake Sugar, Beth Ditto stole the show with grit and Southern charm.

The title track, ‘Fake Sugar’, combined a minimalist electronic beat with reverbed guitars to make a pretty country song. ‘Ooh La La’ was a rock n’ roll stomp. Percussive drums, fuzzy bass, and piano keys were all slammed together to make a high point of the show.

Yet, her performance suffered from the same problem as the new album. Quite a few songs felt like lesser versions of other songs on the album. ‘In And Out’ felt like a lesser version of ‘Fire’. ‘Lover’ felt like a lesser version of ‘Clouds (Song for John)’. This is not to say that they are bad songs, per se, but why go play on the swings when you could go to Disneyland?

All this fell away, however, when classic Gossip songs were played. Songs such as ‘Love Long Distance’ and ‘Standing In The Way Of Control’, which Ditto nailed with her killer vocals, making the crowd freak out with excitement.

One of the most surprising things about Ditto’s show was not the music, but her candidness. After finishing ‘Control’, she talked frankly about her fears for the future. “When Gossip put out Control, I was 24. I’m now 37. I was gonna be a hairdresser in Arkansas and now I’m here”. She added that if this album and tour hadn’t gone well, she would have called it quits.

It was hard not to be moved by this cathartic declaration, and, clearly, the crowd felt the same way. After the next song was wrapping up, the audience response was so thunderous that Beth realised that the audience was applauding her honestly. She broke down in tears. She was overjoyed!

Many things happen at gigs. It is rare to see someone on stage say something so honest so beautifully. It was clear that Ditto would genuinely treasure this night, and so would we.

7.5/10


More Coverage

Brighton art-rockers Squid return with an album marked by experimentation that simultaneously unsettles, startles and satisfies
Amber’s, Oxford Road’s newest club, brings forth cheap tickets, unreleased line-ups and a no-phones policy to bring dancers together
Indie rock band Big Society put on a brilliant performance at Deaf Institute with support from folk artist Doad
YES hosted the 25th anniversary of one of Manchester’s most exciting labels, Akoustik Anarkhy