MANIFF 2019: Hotel Mumbai
The MANIFF opener is a naturalistic and tense depiction of the horrific incidents of 2008 in Mumbai, but with characters lacking in pathos.

Hotel Mumbai, the first film of the festival, depicts the brutal terrorist attacks that took place across central Mumbai in 2008, focusing primarily on the Taj Mahal Palace Hotel attacks.
Dialogue is certainly what stands out in the film; it’s brilliantly crafted, with authenticity and occasional wit throughout. Where the film is let down, however, is with the vast amount of narratives covered. With limited time to explore each guest’s story, the result is a dilution of character development. The terrorists and their stories are presented as much more complex, which draws attention away from the stories of some of the guests and their fate, such as the central couple played by Armie Hammer and Nazanin Boniadi.
Jason Isaacs stands out in his portrayal of a bitter ex-soldier, while Oscar winner Dev Patel gives a solid performance as one of the hotel’s staff. What is highlighted powerfully in the film is the heroism of the staff at the hotel, and the duty they felt towards protecting not only the building but their guests.
The director Anthony Maras proved his grasp on creating tension, with impeccably choreographed and timed scenes throughout. Additionally, composer Hauschka, who also worked on the Oscar-nominated Lion, beautifully scored the film. Not only did the soundtrack contextualise the film in India, but also masterfully complimented the mood of the scenes.
Hotel Mumbai is a film plentiful in suspense and subsequent relief, but when compared to a film like Captain Phillips the lack of character development is starkly revealed.
3/5
The 5th Manchester Film Festival is taking place at the ODEON Great Northern from 2nd March to 10th March 2019.
More Coverage
An intro to the Manchester film scene
If you’re interested in film or a student looking for the cheapest place to see the latest blockbuster, Film Editor Sophie Potton has you covered
The Last House review: Netflix’s briny flashback to 2020 is five years too late
Sea beasts and silly attempts at a high concept leave The Last House feeling like a messy, overdue dud that misunderstands its own strength
Tony (2026) review: Kitchen chaos, teen angst, and the Cape Cod sea breeze in A24’s heartfelt Anthony Bourdain biopic
“If you’re fond of sand dunes and salty air / Quaint little villages here and there […] If you like the taste of a lobster stew / Served by a window with an ocean view / You’re sure to fall in love with old Cape Cod” – Patti Page, ‘Old Cape Cod’
The End of Oak Street review: A rip-roaring summer throwback
David Robert Mitchell’s The End of Oak Street leaves a bright footprint on the decaying island of dinosaur flicks.







