Steven Soderbergh’s stylish direction combines with a characteristic standout performance from Meryl Streep in Netflix’s The Laundromat
James Gray’s space epic has the components of a strong film — but the lack of a compelling cast and story give way to a bland, boring package
Tom Chambers looks back on films in 2018 ahead of The Oscars to assess the likely winners of this year.
Emily Wain argues that the inequality surrounding directors needs addressing for the film industry to progress
The film provides impressive character development, writing, and score, writes Adrian Kanyoli
Eloise Wright and James Gill assess the nominations for the Best Animated Short Oscar
The 89th Academy Awards took place on the 26th February at the Dolby Theatre in Hollywood
A Modern Masterpiece
Manchester By The Sea portrays true grief and loss amidst Hollywood’s plethora of flashy meta-films
Renée Zellweger shines bright as the beloved Judy Garland in Rupert Goold’s dazzling biopic Judy, writes Sarah Findley
Adrian Kanyoli argues that the time is right for him to suspend his hatred of white-saviour films like Green Book and Hidden Figures following the former’s recent Best Picture win
In an effort to streamline their yearly awards ceremony, The Academy has flipped the bird to the film industry in favour of pleasing the masses
The current controversy surrounding the now hostless Oscars means the spotlight shining on this year’s nominations is even brighter
Rona McCann gives a roundup of the couture seen on the red carpet at last week’s Oscars
Georgie Welch reviews Asghar Farhadi’s Oscar winning drama
The Academy does not always get it right
The biggest film of the year has left us lusting after the City of Stars with its singing, dancing, big dreams and, most importantly, its fifties inspired wardrobe
Nominated Iranian director Asghar Farhadi barred from Oscars under Trump’s Muslim ban
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