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University professor named archaeologist of the year
University forms new partnership with the University of…
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“There aren’t many outlets for undergrad wo…
Sign Language Week: Celebrating community and culture i…
How to shop sustainably: In conversation with Beg, Stea…
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Football and Capitalism: Is the trajectory of football…
Reclaiming what was stolen: The revival of Gaeilge
The return of Labour’s hostile environment
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The science behind procrastination
Could oyster blood be the key to eternal life?
Laptops: A misleading term that could be harming your h…
Investigations
University sees rise in reports of antisemitism during…
UoM Israel debate was organised by controversial pro-Is…
Reducing Welcome Week waste: Paperless freshers’…
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WWE Vault YouTube channel releases previously unseen fo…
Varsity Swimming 2025: MMU glides into victory
Football and Capitalism: Is the trajectory of football…
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Green Parties in Europe: A close-knit group or a broad…
The countdown to conflict: What’s next for Taiwan…
Reform UK: A new force in Welsh politics
Students occupy the Simon Building on University of Manchester campus
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Year Abroad Diaries #5: Final year dread
How to get good at running (and enjoy it!)
Life as a humanities student. Why does my university experience seem so differe…
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City guide #3: Northern Quarter
Wagamama’s 20% off took me back to the good old days
A Review of Stockport’s First Vegan Food Festival
The art of solo dating
The best British comedy podcasts right now
Hangxiety: We’ve all been there
Fashion & Beauty
Recession-core revival: what trends to look out for in a dwindling economy
From Fallowfield to the front row: My first London Fashion Week experience
Is faux fur the solution? or is it causing more problems?
Year Abroad Diaries #5: Final year dread
11th April 2025
With the year abroad drawing to a close, it is hard not to feel apprehensive about returning to Manchester
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Culture
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Live review: Viagra Boys prove they’re one of the…
Album review: Viagra Boys look inward with near self-ti…
Greentea Peng live in Manchester: The ultimate listenin…
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Words on the dancefloor: The Read Room
Ali Smith’s Gliff: Language, surveillance, and a…
Unlocking Creativity with EAC Soc
Arts
Where women are in revolt…the three minute scream…
Review: Turner: In Light and Shade
Experiencing Valentine’s Day in Manchester throug…
Theatre
UMMTS’s Tick, Tick… Boom!: An homage to Jonathan Larson…
UMDS Cliffs: An enjoyably sentimental MIFTA weaved from…
New Leeds review: A compelling call for community in ou…
Competition Is For Losers, yet Rizzle Kicks stay winning
14th April 2025
Hip-hop duo Rizzle Kicks make their long-awaited return to Manchester's O2 Ritz
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On Screen
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Big laughs, bigger numbers: Omar El Mohandes is taking…
Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce…
Thunderbolts*: A new kind of Marvel movie for a new era
TV
Big laughs, bigger numbers: Omar El Mohandes is taking…
Adolescence: A haunting exploration of modern boyhood
Saturday Night Live at 50: Nostalgia, new comedy, and t…
Games
Nodebuster review: A short and sweet incremental game
Bubble Ghost Remake review: An inventive update on a fo…
Nubby’s Number Factory review: A chaotic, addicti…
Big laughs, bigger numbers: Omar El Mohandes is taking over
15th May 2025
With his film Siko Siko, Omar El Mohandes shattered expectations - and records - becoming the second highest-grossing director in the history of Egyptian cinema
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