Maverick Sabre
Manchester Academy
25th September
4/5 stars
Charlie Boydell-Smith
It’s a testimony to Maverick Sabres voice that he sounds as good live as he does on his soul tinged debut album Lonely Are The Brave. Entering the stage to Bob Marley’s ‘Jammin’ certainly set the tone for a laid-back evening with Sabre taking inspiration from multiple genres – encompassing soul, motown, reggae and dubstep.
While the heavens predictably try to pour through the venue’s rafters, Sabre brings a much needed energy to a typical Manchester evening. Beginning with ‘Open My Eyes’- accompanied by female backing singer Chantelle – tuneful melodies and hip hop are effortlessly bridged and it seems hard to define Sabre as either rapper or singer. The rapport with the female heavy audience is evident from the start, as the biggest cheer of the night comes when the singer stripped down to a black vest.
Alongside tracks from his debut album such as ‘These Days’, which samples The Turtles’ instantly recognisable ‘You Showed Me’ – Sabre treats the crowd to a brand new upbeat song ‘Just Smile’. And regularly asking the crowd if they are “old school fans”, Sabre delves back to treasured musical roots with a cover of reggae hit ‘Get Up, Stand Up’ accompanied by a particularly ironic rendition of Seals and Crofts’ classic, ‘Summer Breeze’.
Hit single ‘Let Me Go’ sounds huge with a backdrop of swaying hands and a constellation of lighters and flashing cameras, whilst encore ‘I Need’ proved to be the biggest hit of the night – the refrain ‘I Need Sunshine’ more poignant than ever. Despite wet jeans not yet having fully dried from the persistant Mancunian drizzle, the audience were more than happy to leave the Academy and walk into the night with the lyrics to ‘Just Smile’ echoing around their weary heads.
More Coverage
Live review: Boomtown presents its fifth chapter, Radical Redesign
Boomtown Fair 2026 was the festival’s biggest iteration yet as it successfully diversified and grew into new genres while still keeping a space for its bass music roots
Album review: beabadoobee’s ‘Pylon’ flickers with sparks of unfulfilled potential
The London alt-rock sensation returns with a sixth album that sees her trying out a new nineties-inspired direction, but falls frustratingly short
2026 Freshers’ gig guide
If you’re into music, you came to the right city. From jangle pop to Chinese cloud rap, our music editors write about their Freshers’ gig recommendations
Preview: The Warehouse Project turns twenty
The club night series celebrates its twentieth anniversary in Manchester. Here’s how it ace its jam-packed autumn/winter programme







