I’m sorry but…apocalyptic movies are getting boring!
Jack Crutcher vents his frustration at world ending blockbusters
It must have been at least a year since we had a high-profile end of humanity/end of the world movie to enjoy. But ‘thankfully’ now we have four on their way! Oblivion, World War Z, Elysium and the comedy This is The End are all set to hit cinema screens this year and despite all of these movies looking and sounding pretty good, I can’t help but get the feeling we’ve seen all this before.
Normally a director can throw a few zombies, a Tom Cruise or a Brad Pitt and even a Morgan Freeman into a film and people will come to watch it in their millions. However movie lovers continue to act a bit like zombies themselves by watching and hence creating a market for these flicks. Undoubtedly, if there has been one genre of film that has been grossly over-exposed in the past 20 years it has to be those that play out a society-destroying disaster scenario. In the space this article has it would be impossible to list the amount of films that play to this theme, but blockbusters like War of the Worlds, 2012, The Day After Tomorrow, Dawn of the Dead and Falling Skies are perhaps some of the more conformist examples. Even the British film industry has got involved with Danny Boyle’s largely successful 28 days and 28 weeks later.
It’s not that some of these films aren’t good, it’s just that they have become so predictable! It’s not fun or exciting to see a post-apocalyptic wasteland anymore, and it certainly isn’t new to walk into a cinema and watch a group of people fight off infected zombies whilst, inevitably, one of the group gets bitten or goes crazy (as I imagine most people would at the end of all things!).
One of this summers’ new apocalyptic blockbusters might just turn out to be awesome, but before you go and think that makes this article pointless, I can guarantee they will all tell a story we’ve heard a million times before!
More Coverage
The Last House review: Netflix’s briny flashback to 2020 is five years too late
Sea beasts and silly attempts at a high concept leave The Last House feeling like a messy, overdue dud that misunderstands its own strength
Tony (2026) review: Kitchen chaos, teen angst, and the Cape Cod sea breeze in A24’s heartfelt Anthony Bourdain biopic
“If you’re fond of sand dunes and salty air / Quaint little villages here and there […] If you like the taste of a lobster stew / Served by a window with an ocean view / You’re sure to fall in love with old Cape Cod” – Patti Page, ‘Old Cape Cod’
The End of Oak Street review: A rip-roaring summer throwback
David Robert Mitchell’s The End of Oak Street leaves a bright footprint on the decaying island of dinosaur flicks.
Four underseen films of 2025
From sweeping and pragmatic dramas to intimate animated romances, here are some of 2025’s most underrated films






