Live: Death Grips
Death Grips performed as well as could be expected, leaving the crowd exhausted but satisfied
16th October at Academy 1
8/10
It’s the 16th of October, Sunday at 8:30pm and the Manchester Academy is already packed full of Death Grips fans, anticipating their promised early start. In place of a support act is a somewhat sinister electronic buzzing sound that continues to build and build, adding to the growing excitement.
At exactly 9pm, MC Ride appears on stage and, without directly addressing the crowd, opens with ‘Whatever I Want (Fuck Who’s Watching)’. Usually there is a huge surge forward at gigs, but with Death Grips this is less of a surge and more jumping, pushing and shoving in all directions. The performance of each song is delivered with such high energy that there is barely a dip in the movement in the crowd and the noise created by both Death Grips and their fans singing—or, rather, shouting—along.
Towards the middle of the set I find myself three rows from the front, drenched in sweat and struggling to stay upright. This is all part of the fun, and I’d expect no less from a Death Grips gig, but it is still extremely intense and I wonder how some fans have managed to stay at the forefront of this mass of limbs and perspiration for the entirety of the evening. I also wonder how MC Ride, Andy Morin and Zach Hill have managed to perform each song (25 in total) without seeming to become tired at any point—every vocal and beat is perfect, there are no pauses and no song goes under-performed.
The entire night is sweaty, rowdy and a resounding success: It’s everything that anyone could want from a Death Grips gig, and the change of venues from the smaller, more intimate Academy 3 to the much larger Academy 1 was certainly not a sacrifice as many initially thought it was.
Ending with ‘The Fever (Aye Aye)’ and no encore was yet another excellent move by the group, leaving the crow fully satisfied and beginning as abruptly as they began. Any support act or encore would have detracted from the mass of energy which was maintained throughout, and despite leaving feeling extremely bruised and dehydrated I cannot find a fault in the entire gig.
More Coverage
“The album couldn’t be more us if we tried”: fast-rising indie rock band Keo on authenticity, vulnerability, and recording their debut album
The frontman of the summer’s most inescapable band discusses his lyricism and upcoming debut album ‘Put A Smile On For Me’
“If everything’s heavy the whole time, then nothing’s heavy”: Meet Gurriers, Mel C’s favourite Irish noise-rockers
Ahead of the release of second album Nobody’s Coming To Save You, the Dublin five-piece talk Irish music, playing gigs in Manchester skateparks and how they found out The Spice Girls’ Mel C is a secret fan
Live review: Boomtown presents its fifth chapter, Radical Redesign
Boomtown Fair 2026 was the festival’s biggest iteration yet as it successfully diversified and grew into new genres while still keeping a space for its bass music roots
Album review: beabadoobee’s ‘Pylon’ flickers with sparks of unfulfilled potential
The London alt-rock sensation returns with a sixth album that sees her trying out a new nineties-inspired direction, but falls frustratingly short






