Skip to main content

20th February 2020

From ‘Back to Bedlam’ to ‘Bartender’: Has James Blunt changed his sound to appeal to the younger generation?

James Blunt, known for ‘You’re Beautiful’ and hilarious twitter interactions, played to a packed Manchester Arena on Saturday night
From ‘Back to Bedlam’ to ‘Bartender’: Has James Blunt changed his sound to appeal to the younger generation?
Photo: Gavin Bond Photography

James Blunt, known for ‘You’re Beautiful’ and hilarious twitter interactions, played to a packed Manchester Arena on Saturday night.

It was the second date of his Once Upon A Mind tour, and it was surreal to see that crowds still adored him, even after nearly two decades of making music. However, it is undoubted that Blunt has changed his sound throughout the years, which can be seen in the distinction between the dreamy acoustic optimism of Back to Bedlam and All The Lost Souls compared to the tropical pop sound of The Afterlove.

There was a certain demographic at the Arena, of a more mature crowd than the likes of Liam Gallagher would bring, meaning it became a completely different experience to a standard gig with a standing area. This was particularly clear in the shock and horror exuded from concert-goers when fans stood up during ‘Wisemen’, although the air was still filled with waving arms from those that remained firmly seated.

Blunt seemed unbothered by the lack of energy within the venue, as it appeared that the crowd were in awe as soon as he begun with ‘How It Feels to Be Alive’. It was only during ‘The Truth’, a more upbeat track, where many began to stand and dance. It appears that, although Blunt has introduced more pop into his music, the demographic of his audience has remained unchanged.

In terms of his performance, James Blunt knew exactly how to please his crowd. As he played ‘Smoke Signals’, a single red spotlight surrounded him and the audience were silent in sheer admiration. Blunt asked for audience participation during ‘Goodbye My Lover’, as he took a step back and allowed his fans to perform the final chorus.

His infamous sense of humour, apparent by his twitter interactions, came into play during his duet with his support act, country-pop duo Ward Thomas. Preceding ‘Halfway’, he told the audience that he “was desperate to be in a band” and would only let them be support if he could “join them”.

As well as demonstrating his comedic brilliance, Blunt was also able to elicit an emotional reaction  from his crowd – calling out “Manchester, I want you to be the stars!” during his performance of the beautiful ‘Same Mistakes’. Phone lights filled the arena, and the atmosphere of the immense, 21,000 capacity venue was incredible.

James Blunt’s fluctuation in sound was evident within the selection of tracks performed, ranging from his earliest release to his latest. The Afterlove, released in 2017, featured ‘Love Me Better’ and ‘Bartender’ – songs that characteristically fail to fit with Blunt’s usual sound. The album felt more catered towards dance tracks, which can be completely contrasted with heavenly acoustic ballads such as ‘You’re Beautiful’.

Blunt removed the aforementioned songs of The Afterlove from the set list, suggesting that Once Upon A Mind suited better to his current musical direction. Placing ‘Stay The Night’ next to ‘OK’ on the set list provided a stark contrast between the variations of music that Blunt has dabbled in over the years, however the recently released ‘Cold’ proves that the performer is heading back towards his acoustic “roots”. As the concert ended with ‘Cold’, ‘1973’, and ‘Bonfire Heart’, it is evident that this is the music that encapsulates James Blunt, his sound, and his talent.

From 2003 to 2020, James Blunt has provided the soundtrack to romance, heartbreak, and even dancing. Although he may alternate between genres, his concert at Manchester Arena proved that no matter his sound, he will still be loved for it.


More Coverage

Freya Beer and Yasmin Coe live in Manchester: The future of women in alternative music is in safe hands

Freya Beer’s headline show, alongside Yasmin Coe’s support slot, was an overwhelming assertion of the feminine presence in contemporary alternative music

BC Camplight live in Manchester: An explosion of sound to mark The Last Rotation of Earth

BC Camplight kicked up a fuss at Albert Hall, with the adopted Mancunian playing a huge headline show

bdrmm live in Manchester: Techno haven hosts immersive shoegaze

The Hull-based quartet’s electronic shoegaze is typically immersive, but the surround sound of the venue gave their sonic landscape a whole new dimension

Suzi Quatro live in Manchester: The Queen of Rock ‘N Roll marks her 50-year reign

Suzi Quatro celebrated half a century since her chart-topping breakthrough single, ‘Can the Can’, with a career-spanning show that cemented her legacy as the Queen of Rock ‘N Roll