Skip to main content

carlfitzgerald
6th March 2020

Review: Colour out of Space

Carl Fitzgerald writes of the new Lovecraft adaptation’s cosmic madness
Categories:
TLDR
Review: Colour out of Space
Photo: N.J. Wright @flickr

It’s a miracle to think, of all Lovecraft stories, Colour out of Space is the first one to get a proper modern day film adaptation. When more well-known properties like In The Mountains of Madness and The Call of Cthulhu spent years in development hell, it’s this slightly more niche story about scary colours that fits the bill. It makes you feel lucky that this new film, directed by Richard Stanley, is as violent, scary and good as it is.

In Colour out of Space, a mysterious meteor falls into the backyard of a rural family house. Over time it starts to emit a strange neon pinkish colour that doesn’t seem of this world, and slowly begins to contaminate everything around it. Mysteriously coloured plants start growing on the land, the water starts to cause strange hallucinations and the animals on the farm begin to react weirdly to the light. Throughout the story, things are constantly escalating and becoming more bizarre and vibrant.

Stanley’s direction helps to keep things steady and the audience engaged. He seems very much influenced by Stuart Gordon’s Lovecraft adaptations of the 80’s (to the point where one of the film’s most impressive practical effects mirrors the most famous shot in From Beyond), and he does a good job of keeping a steady descent from a normal family setting into out-and-out chaos. Not to mention the use of practical effects is always a welcome shift in modern cinema, and some of the violent and painful images Stanley brings to us here will last long after the credits roll.

The film is also very well cast, with Nicolas Cage playing the father of the family and delivering his expected manic energy tinged with something far more sinister as he slowly becomes possessed by the alien force in the meteor. Cage is used very well here, able to play an offbeat wholesome dad in the film’s early moments, to an unhinged maniac as the madness takes hold. It’s great to see his wacky independent projects, considering this and Mandy are getting some considerable appreciation.

3/5


More Coverage

My formative film: A love letter to Notting Hill

How Richard Curtis’ film about a charming bookshop owner changed my view on romance films forever

SCALA!!! co-director Jane Giles on audiences, programming and being a first-time filmmaker: “There has to be room in the film world for all tastes”

In conversation with Jane Giles, co-director of SCALA!!!, we discuss how she came to make the film, her career in programming and how the London cinema had lasting impact on young audiences

Chungking Express: Intoxicating youthful cinema | UoM Film Soc screening reports

In an age where arthouse cinema has become middle-aged, Wong Kar-wai’s 90s classic still speaks to today’s youth

An evening with UoM Film Society and Chungking Express

A crowded university building full of students ready to watch a Wong Kar-wai film and an earworm of a song