Carl Fitzgerald writes of the new Lovecraft adaptation’s cosmic madness

Featuring a standout performance from Elizabeth Moss, Leigh Whannell’s adaptation of HG Wells’ 1897 novel is a masterclass in updating a classic character for the 21st century, writes Carl Fitzgerald

Robert Eggers steers far from a sophomore slump with this atmospheric horror punctuated by sledgehammer performances from Robert Pattinson and Wilem Defoe, writes Carl Fitzgerald

Carl Fitzgerald reviews the frustrating tale of two runaways, starring Jodie Turner-Smith and Daniel Kaluuya

Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald

Despite its potential, Paul Feig’s Wham-quoting Christmas rom-com wastes its stars’ talent and fails at meaningful social comment, writes Carl Fitzgerald

30 years after The Shining’s release, its long-awaited sequel proves, despite some flaws, to be a worthy successor to Stanley Kubrick’s masterpice, writes Carl Fitzgerald

Carl Fitzgerald reviews the painfully unscary poorly made and cartoonishly misjudged urban legend phone-horror movie

Adrian Panek’s Werewolf is a grim, but ultimately powerful and moving exploration of humanity under the most dehumanising of circumstances, writes Carl Fitzgerald

Carl Fitzgerald reviews Jessica Hausner’s “stunning” and “fantastically creepy” plant-based thriller

This abstract Burroughs adaptation is simultaneously Cronenberg’s grimmest and funniest film, earning a spot at HOME’s latest season on ‘unfilmable’ books, writes Carl Fitzgerald

Political satirist Armando Iannucci assembles an all-star cast for this period epic adaptation of Dickens’ novel that’s witty, energetic and charming, writes Carl Fitzgerald

Following on from The Babadook, Jennifer Kent’s latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar performances, writes Carl Fitzgerald

Despite the critically-acclaimed magic of its smash-hit predecessor, due to poor plotting, awkward pacing and musical mis-steps, Frozen 2 has certainly let it go, writes Carl Fitzgerald

Despite starring A-class talent, Bill Condon’s stylish crime thriller struggles under the weight of its often ludicrous plot twists, writes Carl Fitzgerald

Despite its length, Francois Ozon’s Catholic abuse scandal-based drama By the Grace of God is a beautifully crafted and fascinating portrayal of the effects of trauma, writes Carl Fitzgerald

Writer Carl Fitzgerald reviews the underwhelming, undercooked sequel to Zombieland

Carl Fitzgeral reviews the Soska Sisters’ latest gory horror film at Grimmfest 2019