Clairo drops her debut album in the shape of Immunity, a soft and sweet recollection of her teenage years

Contributor Dylan James reviews Little Simz’s third studio album GREY area which was released earlier this March

Josh Sandy reviews Avey Tare’s third solo psychedelic album Cows on Hourglass Pond – but is it as underwhelming as his previous two?

Jasmine Bennett reviews the dreamlike exploration of the human condition that is Everyday by Tourist.

Wicca Phase Springs Eternal’s latest release proves to be as long-lasting as his name suggests, writes Jasmine Bennett.

Girlpool continue to shine and evolve when they experiment with new sounds, yet are weighed down by a handful of unadventurous indie-rock fillers.

Against The Current’s second album successfully makes an electronic sound appear surprisingly beautiful, writes Eleanor Roberts

Jasmine Bennett reviews Yung Lean’s latest EP, Poison Ivy, which offers up eight-tracks of melancholic vocals and rhythmic beats.

The Scouse favourites pay a largely pointless tribute to their younger, more vibrant selves writes contributor Caolan Coleman

Cage The Elephant return with their fifth studio album, an introspection on the downfalls of fame and the breakup of relationships writes contributor Jasmine Bennett

MARINA returns after four years for the first of a two part album. Contributor Georgina explores the gentle, lyrical elegance of her latest release ‘Love’.

A turn into new territory for Bring Me The Horizon with their latest release AMO, which moves past the heavy metal genre with mixed results

The blockbuster-album approach to Lil Pump’s highly anticipated Harverd Dropout loses most of what was appealing and exciting about this young Floridian rapper, says Harry Thorfinn.

Jasmine Bennett writes that AJ Tracey proves he really is ‘Doing It’ again with his newly dropped eponymous debut album

Josh Sandy discusses the successful sophomore release from singer-songwriter Nina Nesbitt, five years after her original debut hit the charts

New band on the scene I Don’t Know How But They Found Me has released their first EP, which does not disappoint, writes Eleanor Roberts

Jasmine Bennett reviews Cat Power’s beautiful return to the music industry with her tenth album, Wanderer.

The band are back after three quiet years with a contrastly loud release. It may not blow fans’ minds but it will keep them happy for now.