Theatre Editor Jay Darcy outlines why Reality Z, a post-apocalypse Netflix show based on Charlie Brooker’s Dead Set, is an apocalyptic mess of biblical proportions
Has it changed TV forever?
A letter from the Head Film Editor summarising this year’s film scene
A chilling look into the future of warfare in the third season of Black Mirror
Black Mirror series three is exactly as expected: a clumsy and blundering criticism of the modern world
Will Robinson reviews Netflix’s aptly named Love, Death & Robots, the latest take on the growingly popular anthology-style of television.
Olivia Stringer points out the disturbing parallels between what today’s society is turning into and the warnings that were given to us by TV series Black Mirror.
Nosedive is a technically successful pilot episode for the new season of Black Mirror — but is it really all that original?