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Interview: Mark Jenkin on his new film Rose of Nevada, Agnes Varda, and Time Travel

Interview: Mark Jenkin on his new film Rose of Nevada, Agnes Varda, and Time Travel

Mark Jenkin has since produced a trilogy of Cornish films. The latest of these, Rose of Nevada, played at this year’s Manchester Film Festival and will shortly be going on a UK-wide tour before coming to cinemas nationwide on the 24th April.
Mercy review: 2026’s first sci-fi malfunction

Mercy review: 2026’s first sci-fi malfunction

Mercy is the latest piece of insufferable, pro-AI messaging, muled through the most ‘January’ movie of the century
Manchester Film Festival announces stellar 2026 lineup

Manchester Film Festival announces stellar 2026 lineup

Manchester Film Festival has announced its 2026 line-up, which promises to be the festival’s biggest and best yet since its beginnings in 2015.
The Mancunion’s best films of 2025

The Mancunion’s best films of 2025

As with every year, no matter what you might think overall, there have been some spectacular films released in 2025. We look back over the year with our writers to let you know what The Mancunion’s best films of 2025 are.
New Animated Voices: Student Animation at Manchester Animation Festival 2025

New Animated Voices: Student Animation at Manchester Animation Festival 2025

A staple of Manchester Animation Festival’s line-up is their New Animated Voices showcase, a screening where they play a curated selection of the best animated shorts.
Resurrection review: a wildly ambitious success at Leeds International Film Festival 2025

Resurrection review: a wildly ambitious success at Leeds International Film Festival 2025

Screening at Leeds Film Festival, Bi Gan’s Resurrection is a monumental love letter to film and creativity
Sentimental Value review: the best film of 2025 is here at Leeds International Film Festival 2025

Sentimental Value review: the best film of 2025 is here at Leeds International Film Festival 2025

Sentimental Value is pretty easily my favourite film of the year, even amongst very stacked competition, and I have been desperate to see it again since its release.
From ‘BRAT’ to Brontë: Charli xcx’s latest singles reach dazzling Heights

From ‘BRAT’ to Brontë: Charli xcx’s latest singles reach dazzling Heights

Charli xcx ditches saccharine club bangers for slower tempos and ominous soundscapes but retains her commitment to experimentalism
Alpha review: a profoundly disappointing mess at Leeds International Film Festival 2025

Alpha review: a profoundly disappointing mess at Leeds International Film Festival 2025

Julia Ducournau’s latest, Alpha, proves that one of the most exciting directors of the 21st century isn’t infallible
Steve Henderson talks animation from around the world and the future of the Manchester Animation Festival

Steve Henderson talks animation from around the world and the future of the Manchester Animation Festival

I talk with Steve Henderson ahead of the 11th run of the Manchester Animation Festival.
Emerald Fennell’s Wuthering Heights will be terrible

Emerald Fennell’s Wuthering Heights will be terrible

Emerald Fennell’s upcoming Wuthering Heights adaptation will be a terrible, superficial adaptation with no reverence for its source material
Happyend: the feel-good dystopian film of the year

Happyend: the feel-good dystopian film of the year

A heartfelt Japanese goodbye to youth and praise of rebellious energy and friendship
“Animation Can Be Anything”: In conversation with Manchester Animation Festival director Steve Henderson

“Animation Can Be Anything”: In conversation with Manchester Animation Festival director Steve Henderson

Ahead of 2024’s Manchester Animation Festival, I chatted to Festival Director Steven Henderson about the Festival, Student Films, and Wallace and Gromit
Uncut film takes: Amber Heard belongs in Aquaman 2

Uncut film takes: Amber Heard belongs in Aquaman 2

As this winter saw the release of Aquaman 2, we examine the public image of the unfireable Amber Heard and Hollywood’s double standards of damnation
The End We Start From review: Quietly moving, powerfully provocative

The End We Start From review: Quietly moving, powerfully provocative

Mahalia Belo’s depiction of an ecological crisis is grimly realistic but Jodie Comer’s portrayal of the challenges of womanhood steals the show
You’re dreaming of a Black Christmas: How to subvert the slasher   

You’re dreaming of a Black Christmas: How to subvert the slasher  

This 1974 horror classic is credited with creating many of the genre tropes but is it actually a lot more subversive than people think?
Brief Encounter review: A charming, classic love story

Brief Encounter review: A charming, classic love story

Stellar performances, dreamy jazz and great dance sequences, it’s a story that will definitely warm your heart and keep you from the winter cold!
Revisiting Scorsese’s Marvel soapbox

Revisiting Scorsese’s Marvel soapbox

As The Wolf of Wall Street turns ten and Killers of the Flower Moon hits cinemas, The Mancunion reflects on Scorsese’s reluctant debt to spectacle
The Exorcist: Believer review – A goofy attempt to reboot a terrifying classic

The Exorcist: Believer review – A goofy attempt to reboot a terrifying classic

After his Halloween Trilogy, David Gordon Green returns to reboot another classic horror, unfortunately, the result leaves a sour taste
Taylor Swift: The Eras Tour review – A celebration of all things Taylor Swift

Taylor Swift: The Eras Tour review – A celebration of all things Taylor Swift

Taylor Swift’s latest concert film brings collective joy amongst her fans as she performs her biggest hits for three whole hours