Damien Chazelle’s obsession with the glamour of Hollywood is taken to new heights in his new film Babylon.

The sequel to the much-loved family detective film is back and here’s what The Mancunion have to say about it

Guillermo del Toro’s Pinocchio combines anti-fascist themes with stunning animation to create a very necessary remake of the 1940s classic

The Good Nurse takes a sensitive and informative approach towards depicting true, harrowing events

Hollywood’s nepotism babies seem to be getting more attention on TikTok than they do on screen, here’s why

After 40 years Blade Runner is still an extremely poignant and thought-provoking film

Halloween Ends is a disappointing conclusion for the slasher franchise, feeling as if the film would never actually end

Triangle of Sadness fires shots at the vapidity and vainness of the rich – you are supposed to be laughing at them, not with them

The Northman takes the ‘Eggers style’ to even greater heights in this Norse revenge epic

The precedent set by modern TV is not only one that destroys the artistic integrity of the film but perpetuates a cycle of negative watching and passive viewership. Film Editor Benjy Klauber-Griffiths challenges television supremacy.

Our Deputy Film Editor reviews the long-awaited Bridgerton season two

As part of the Golden Oldies series, Sophie Hicks looks back on Atonement

MANIFF 2022: At moments shocking, at times confusing, this is the black American commentary audiences have needed

MANIFF 2022: Based on a true story, The Falconer is a cinematic dream but loses audiences due to its meandering plot and irritating protagonists

MANIFF 2022: This Lithuanian murder mystery delivers the excitement factor audiences love in such a thriller. It’s just a shame the audience I watched it with were so bad

What if the current Oscar nominated films didn’t exist? We present our picks in our ‘Alternative Oscars’ list.

MANIFF 2022: Korean sci-fi drama fails to offer anything other than a bland and predictable social critique

MANIFF 2022: Kirby McClure’s debut feature is cinematically gorgeous but struggles to deliver an engaging and comprehensive plot

This mafia masterpiece has more to say than just action, corruption and murder – at its core are pertinent questions about immigrant status and a changing set of values in the face of the ‘American Dream’.

MANIFF 2022: A witty mix of sci-fi horror and family melodrama, Natalie Kennedy delivers in her first foray into the genre