Written by Shia LaBeouf, Honey Boy is an autobiographical film reflecting upon troubled parental relationships and growing up in a socially excluded neighbourhood, writes Michal Wasilewski

Despite the critically-acclaimed magic of its smash-hit predecessor, due to poor plotting, awkward pacing and musical mis-steps, Frozen 2 has certainly let it go, writes Carl Fitzgerald

Will Johnston reviews the familiar but fresh, warming but also very incredibly cool Peanut Butter Falcon

Despite its length, Francois Ozon’s Catholic abuse scandal-based drama By the Grace of God is a beautifully crafted and fascinating portrayal of the effects of trauma, writes Carl Fitzgerald

Writer Carl Fitzgerald reviews the underwhelming, undercooked sequel to Zombieland

In the first of a series of articles about film’s ability to change perceptions, writer Alisha Fryer explores the Western preconceptions around international film through the lens Hong Kong cinema

Adrian Panek’s Werewolf is a grim, but ultimately powerful and moving exploration of humanity under the most dehumanising of circumstances, writes Carl Fitzgerald

Writer Will Johnston reviews The Farewell, the much-anticipated A24 film starring Awkwafina

Jay Darcy reviews Mrs Lowry & Son, the new biopic about local artist L. S. Lowry, at the theatre named after him

Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald

Alice Porter attempts to de-spell the myth that books are the supreme form of popular culture, despite being a self-proclaimed book lover

30 years after The Shining’s release, its long-awaited sequel proves, despite some flaws, to be a worthy successor to Stanley Kubrick’s masterpice, writes Carl Fitzgerald

Carl Fitzgerald reviews the painfully unscary poorly made and cartoonishly misjudged urban legend phone-horror movie

Part concert, part visual album, part essay, and part reflection, Bruce Springsteen’s Western Stars sometimes lacks focus, but is a stunning effort nonetheless, writes Ellie Martin

Will Johnston reveals his top 5 90s Disney films, you won’t BELIEVE his picks

Writer Carl Fitzgerald reviews the awesomely gory film Satanic Panic at Grimmfest 2019

With Joker’s release almost upon us, Deputy Film Editor Josh Sandy looks at the historic relationship between on-screen and real-life violence

This is the ultimate Mancunian guide to cinemas, film festivals, and events, by the Mancunion Film editors for lovers of film