Does Kristen Roupenian’s debut collection live up to the hype of Cat Person? Lucy Downing finds out…
From indie success in Japan to international adoration, One Cut of the Dead reanimates the horror-comedy genre with a wholesome tale
Escape Room is a confused, poorly written mess of a horror film that’s also glorious to watch for its ridiculousness and bizarre imagination.
Carl Fitzgerald reviews a disappointing The Possession of Hannah Grace
Assassination Nation is incredibly visually stylish and a clever film which features some of the finest cinematography of 2018.
The highly successful producer blames female invisibility behind the camera on lack of participation. But, is he right? (Spoiler alert: no, he isn’t).
Brutal, strange, and featuring Nicolas Cage at his insane, over-the-top best, Mandy is an instant cult-classic.
The 80s themed tale of a killer-next-door was shown at Grimmfest 2018, shocking audiences with an explosive, violent final act
A February dumping ground horror sequel that seems to meander in uniqueness only to lose its way and not really know what to do next
Looks can be deceiving
After eight seasons, AHS still is as scary as it always was
This new indie slashfest, Hell Fest, proves entertaining and creative, but is held back by tedious leads, dull set pieces and predictable deaths.
An excellently performed, visually stunning art-house horror, Suspiria is another success for its acclaimed director, despite it’s lengthy run-time.
This Halloween film isn’t like the other sequels to the 1978 original: it’s good
Part-home invasion horror, part-jealousy melodrama, The Cleaning Lady is a an initially shocking film that struggles to stand out in its genre
Ever considered using psychedelic drugs? This film might make you think twice. Alfie Clark reviews Gaspar Noé’s fifth feature film