Carl Fitzgerald reviews a disappointing The Possession of Hannah Grace
Assassination Nation is incredibly visually stylish and a clever film which features some of the finest cinematography of 2018.
The highly successful producer blames female invisibility behind the camera on lack of participation. But, is he right? (Spoiler alert: no, he isn’t).
Brutal, strange, and featuring Nicolas Cage at his insane, over-the-top best, Mandy is an instant cult-classic.
The 80s themed tale of a killer-next-door was shown at Grimmfest 2018, shocking audiences with an explosive, violent final act
Catch an ’80s array of cult Japanese sci-fi, horror and action at HOME this October
Jeremy Dyson and Andy Nyman’s adaptation of their acclaimed stage play is a superbly haunting and unnerving collection of menacing tales
The eighth instalment in the Saw series throws audiences into an agonising game of boredom and predictability
This new indie slashfest, Hell Fest, proves entertaining and creative, but is held back by tedious leads, dull set pieces and predictable deaths.
An excellently performed, visually stunning art-house horror, Suspiria is another success for its acclaimed director, despite it’s lengthy run-time.
This Halloween film isn’t like the other sequels to the 1978 original: it’s good
Part-home invasion horror, part-jealousy melodrama, The Cleaning Lady is a an initially shocking film that struggles to stand out in its genre
Ever considered using psychedelic drugs? This film might make you think twice. Alfie Clark reviews Gaspar Noé’s fifth feature film
One of the simplest ways to realise what you think about a film is to ask how it made you feel. In the case of this sluggish, ugly, and disassembled product known as the Slender Man movie, I just feel unequivocally angry. At one point during the film, I found myself demanding that it make […]
This slasher flick from the writer of Paranormal Activity acknowledges its glaring similarities with Groundhog Day, yet fails to justify them
As part of Design Manchester’s 2017 Film Season, The Dancehouse resurrects two horror classics on the big screen