Born out of a post war slump and growing permissiveness, the genre of erotic horror remains one of the most controversial and influential in cinema history
Set to the backdrop of an isolated Canadian bar, The Oak Room, starring Breaking Bad’s R J Mitte, is an unusual exploration of storytelling, violence and the genre of horror itself
Jon Stevenson’s directorial debut Rent-A-Pal is an intriguing character study ultimately let down by its underdeveloped script and weak ending, writes Ross McFadden
Faced with the monumental task of reviewing The Lighthouse, film editor Tobias Soar opts instead to ramble about director, writer, and producer Robert Eggers