Editor-In-Chief, Anja Samy, considers the boundaries of artistic inspiration in the fashion industry
Anna Jin reviews La JohnJoseph’s A Generous Lover at HOME
Oli Storey writes about his own experiences with mental health whilst at university, and the ways he has found to manage it
Theatre Editor Jay Darcy interviews the director and cast of new play Under Three Moons
Why it’s unrealistic (and harmful) to pressure yourself in having the best time of your life when starting university
Results of National Student Accommodation Survey suggest student housing is in crisis
The Education Transitions Network will look at how students moving to university can be better supported in the first year of their studies
Becca Knight examines the role of social media in university life and how dependant on it we have become. But what are the negative effects if we use it excessively? Should we switch off in order to enjoy reality?
Camila Florencia Rusailh reviews Ladybones at The King’s Arms, Salford
Bayse Genc reviews Box of Tricks’ Under Three Moons at the Lowry
Ellie Martin chats to the President of the Run Wild society about the beneficial links between running and mental health
Kate Jackson discusses her student experience as an insomniac and details her tips on how to combat the stress of uni work
Baby Fever is an exciting new piece of theatre created by Contact Young Company and Theater DEGASTEN and presented by Contact and SICK! Festival
The critically-acclaimed Burnout returns to Manchester next month as a full-length, two-act play
An FOI by The Mancunion reveals the amount spent on mental health at the University of Manchester
Ellie Martin argues that society socials should be more open to non-drinkers
The largest ever mental health poll of universities has revealed that the levels of distress and illness among students in the UK is ‘alarmingly high’, constituting for an ‘urgent call to action’
Cleaning is the newest weapon in the battle against the highly filtered unreality of lifestyle influencers – Sophia Ashby discusses the success of ‘cleanfluencers’ in an age of materialism
