Hitchcock/Truffaut is a fascinating look at the artistry of one of cinema’s greatest directors

Bone Tomahawk is a fantastically well shot and acted film, but fails to deliver on its attempts at horror

The latest Coen Brothers movie is a hilariously absurd take on the classic era of Hollywood

Cuckoo is an easy-watching experience with intermittent laughs and without fear of the implausible

London Has Fallen is an explosive and somewhat controversial action film sequel that watches another city fall to the ground

All Rise takes globalisation to newer heights in a competition of law and order

Nicole Tamer recounts her first red carpet experience at the Manchester International Film Festival

With the pressure of winning an Oscar lifted, here are some directors that he has yet to collaborate with, who could showcase a different side to the actor

In conversation with the directors and the lead actor of Made in Taiwan, the inspiration and challenges faced with this award-winning film are revealed

The Forest sets up an intriguing premise, but wastes it on tired old horror tropes

Most people think of Bollywood when they hear Indian cinema, but what is behind this massive film industry and why are Indian Independent films better at portraying Indian culture?

Films with a limited colour palette often employ colours to portray a certain mood or to distinguish different worlds. These films excel at this craft.

All of the week’s biggest movie and TV news in one article!

American Crime Story’s first season, entitled The People v. O. J. Simpson, gives its audience a reminder of issues that are all too relevant today

King Jack is a fairly by the numbers coming-of-age drama made watchable by its emotional sincerity

The first film in Satyajit Ray’s Apu Trilogy, Pather Panchali, is a beautiful and masterful piece of world cinema that works brilliantly on many levels

Despite being flawed and cliched at times, the small-town drama is a charming film with a sincere and tender approach to familiar subject matter

How to Be Single’s well-intentioned attempts at social commentary fail to make up for it’s generally clumsy direction

Despite good intentions, Freeheld falls completely flat through its terrible script and ill-considered motives

This week, we count down the five fictional movies within movies—and we want to see them all!