With its final season airing this year, we look back at the legacy of the unique and witty sitcom Peep Show

With an increasing number of classic Disney films being opted for a live-action remake, we consider whether or not we should anticipate or dread their future

Aaron Sorkin’s sharp writing, Danny Boyle’s energetic direction and Michael Fassbender’s note-perfect performance make this unconventional biopic of Steve Jobs unmissable

So-bad-they’re-good is a special type of genre of film that only a select few can claim to be a part of; this is when a film becomes so unintentionally bad that the audience can enjoy it as a comedy

Cristiano Ronaldo’s film reveals the obsessions in the lonely life of a great player with a big ego

Saoirse Ronan is brilliant in this adaptation of Colm Toibin’s book of a young girl who leaves small-town Ireland to live in 1950s Brooklyn

With more and more entertaining blockbusters getting heaps of critical praise, how can independent and art house films hope to contend on a large scale?

Daniel Craig’s fourth (and possibly final) round as 007, Spectre, neatly ties up all the loose ends of his era while taking us on a thrilling ride

Mississippi Grind is an alluring tale of obsession and wealth that features suitably atmospheric music and cinematography

Now in its ninth season since its revival, Doctor Who has surged back to top form following a pair of lacklustre series

David Lynch’s Lost Highway will be a delight for any fans of the director’s surrealist style

Hotel Transylvania 2 is a victim of one too many of the curses that affect family film sequels

Ben Foster’s strong portrayal of Lance Armstrong makes The Program watchable

The Lobster is a poetically absurd comedy that invites the audience on a macabre roller coaster

The Returned manages to transcend zombie clichés to become something far darker and more sinister than many would expect

With Crimson Peak, Del Toro’s take on the Gothic horror genre largely delivers, even though it lacks the most memorable qualities of the director’s auteur

With speculation flying high that Spectre will be Daniel Craig’s last outing as 007, we give our picks here as to who should star as the next James Bond

Regression is a woefully clichéd and, at times, almost laughable excuse for a horror-thriller

Not even Hollywood escaped the 1960s counterculture of hippies and psychedelia, but is it remembered fondly or critically by today’s filmmakers?

Gus Van Sant’s My Own Private Idaho never fails to be beautiful at any given moment