Jess Johnstone reviews ‘Propel’, a scratch night as part of the Orbit Festival 2018 at HOME
A thoroughly moving, powerful piece, Scarlett Gorman reviews ‘Windows of Displacement’ at HOME, as part of the Orbit Festival 2018
Anuli Changa reviews Antic Disposition’s cathedral tour of ‘Henry V’
Orla Quilligan reviews ‘Death of Salesman’ at the Royal Exchange Theatre
Lauren Ellis-Stretch reviews ‘Rent Party’ at The Klondyke, presented by Contact Theatre, Darren Pritchard Dance and Black Gold Arts Festival
Rosa Uijtewaal takes us back to Victorian Manchester in an exploration of how theatre developed in the city
The placebo effect has been known and studied for decades. This panel discussion dissects placebo in the arts, in research and now it is studied for its implications as a legitimate medicine in the future.
Scarlett Gorman reviews Rambert’s ‘Life is a Dream’ at The Lowry
Libby Williamson reviews Take Back: Our Girls, part of The Hope Mill Theatre 3rd Birthday celebrations
A play that spreads its focus across several era whilst maintaining an admirable focus on its human subjects
Sam McElhattan reviews ‘Salt’ at HOME as part of the Orbit Festival 2018
Sam McElhattan reviews Keisha Thompson: ‘Man on the Moon’ as part of Contact at STUN
Tai Francis reviews English National Ballet’s ‘Manon’ at the Manchester Opera House
Arts and Theatre editors Bella Jewell and Anuli Changa review ‘Titters and Tassels Burlesque and comedy show’ hosted by comedic double act Toots and Leigh
Anuli Changa talks to Lily Sykes, director of ‘The Maids’ at HOME Theatre: discussing neoliberalism, feminism and more
The internationally renowned performance company, Clod Ensemble, blur the boundaries of art and science, and explore the power of the placebo in their latest production
Lauren Ellis-Stretch reviews Sofie Hagen and Jodie Mitchell’s ‘Secret Dinosaur Cult’ at the Manchester Podcast Festival
Anuli Changa previews Pigtails Production’s ‘How to Hide a Lion’ adapted and directed by Peter Glanville
