Alfie Templeman discusses his new record Mellow Moon, his side project Ariel Days, and how we can make gigs more accessible.

Pip Carew tackles the most revered film of all time and sees if The Godfather delivers on its mammoth reputation.

Quoted by everything from The Sopranos to Family Guy, Francis Ford Coppola’s mafia saga has become one of America’s foundational artworks – and for good reason

Roxanne Person reviews The House with Chicken Legs at HOME

Recent beauty trends mean that spotless skin is sought more than ever. But at what cost?

Due to the Russian invasion there is a rise in oil prices so we look at how this has impacted students lives

As the airspace closed, flights stopped and financial sanctions were brought in, a team of UoM staff worked to bring Russian Studies students home

In conversation with students who are both from the Ukraine and surrounding Eastern European countries, I understand the impact of this war on students and how the support provided by the university has not gone far enough.

MANIFF 2022: In this Cannes-winning film, a young woman travelling to subpolar Russia forms an unlikely connection with her compartment mate

Teddy Maloney reviews Enola Gay’s chaotic St. Patrick’s Day takeover of Yes’ Basement stage.

Movements release new single deviating from their usual, more gloomy sound in favour of a high-energy track, perfect for moshing to.

Blind date with a book: a marketing ploy or a way to branch out of your reading comfort zone? And can you guess Blackwell’s mystery book from a sentence?

Deputy News Editor Shikhar Talwar argues that the world-renowned Les Misérables, currently playing at the Lowry, is far from perfect

Aayush Chadha reviews Les Misérables at the Lowry Theatre

Instead of punishing the left and backing transphobes, Keir Starmer should be uniting the Labour Party behind the popular policy of nationalisation

Simple and unmemorable CODA was recognised as the Best Picture of the year, but 2022 Oscars made headlines for an entirely different reason

Jessica Hamilton reviews The Bread We Break at Contact Theatre

Want Not Waste, Manchester’s first student-run, plastic-free shop and wider project, celebrates three years of positive change on campus.

Teddy Maloney takes a deep dive into the new album from Libertines frontman Peter Doherty and French composer Frédéric Lo.

MANIFF 2022: 18 1/2 combines wit, romance, thriller and politics to create a highly entertaining 70’s comedy