Crucible Theatre Archives

Crucible Theatre Articles

Review: Miss Saigon

Sheffield Theatres has revived, reimagined and reclaimed Miss Saigon, de-orientalising the production and giving its Asian characters agency. Joanna Ampil enchants as the first ever female Engineer

Pro-Palestine groups camp out on Brunswick Park

Manchester Museum named finalist for Museum of the Ye...

The Women in Media Conference returns for 2024

From Our Correspondent: Almería, ‘The Indalo Ma...

Association Chairs: Bringing practical change and a s...

In conversation with Islamic Society: “Here for ourse...

Main Library Musings – Rant column #3

Navigating the Rwanda bill: Why student voices matter

If Labour wants to regain trust, they must stick to t...

Celebrating 70 years of science at CERN

Why are you laughing: The science of humour

In conversation with The Lion King’s Head of Ma...

Fallowfield’s 18.35%: Why are students not voting?

“They decided they didn’t want a Nightline any longer...

Spot checks on international students attendance set ...

Victory for MMU as Varsity returns for 2024

FA Cup Semi Final: “Who is everyone talking abo...

The new generation of F1 drivers: Wasted potential?

MPs launch investigation into university reliance on international student fees

How do we tackle the student loneliness crisis?

Keeping on top of the news cycle: How to stay up to date as a student

Houseplant heaven: The best plants to brighten up your student home

The Alchemist Cosmic Supper Club review: Unlocking celestial delights

Brunch at Santé: A slice of sun

Giving ‘Too Good To Go’ a go!

Why is everybody obsessed with minimalism?

How to have a routine when you have so few contact hours

Springleaf Podcast: James Acaster’s new audio adventure

The Fashion x LQBTQ+ Society’s Charity Fashion Show is back!

Student Style Diaries #2: ‘Doing my best’

Shimmering supremacy: Long live lip gloss

How do we tackle the student loneliness crisis?

BAD DREAMS at New Century Hall: All you need to know

Sloucho’s Debut Album, ‘NPC’: Bounc...

Olivia Dean live in Manchester: A joyful “warm ...

Audible plunges listeners into the depths of George O...

The problem with publishing

Spotify vs Audible: The battle for audiobook dominance

Horoscopes: Art meets star signs

Making Manchester #2: Laurent Swyngedauw

The Exorcism of Susan Fox – Recovering a lost soul: LIVE

Urinetown: The Musical review – UMMTS doesnR...

Hedda review: A misguided imitation of Ibsen’s ...

My Beautiful Laundrette review: Nationalism, racial t...

Live Review: Caroline Polachek at Albert Hall

Eyes Wide Shut 25 years on: A feast for the eyes, a n...

Mothers’ Instinct review: How far will you go to prot...

My formative film: Sprinkles of Stardust can be seen ...

Taskmaster: Why it’s so good and where to begin

The fourth season curse: Why do TV shows get worse af...

Drive to Survive season 6: Get strapped in for more F...

A bittersweet ending: Outer Wilds retrospective

Boys can cry, and girls can game

Hades 2 is bringing sexyback

Eyes Wide Shut 25 years on: A feast for the eyes, a nightmare for the mind

Crucible Theatre Articles

Review: Miss Saigon