Diaspora children navigate identity in a poor way that prevents them from effectively utilising their cross-cultural heritage

Carner moves away from laid-back, mellow beats to intense, emotion driven tracks fuelled with deep political and personal thoughts in ‘hugo’

In an age of such swift social and technological advancements, the fashion options young people are bombarded with are more than plentiful. And thus a battle between what suits their personal style and what is on trend ensues.

Set in vibrant 1920s New York, Rebecca Hall’s debut feature is a unique commentary on racial identity, jealousy, and finding one’s community

Isaac Lucia reviews Hegemony and Socialist Strategy

Through its deliberate composition and nuanced characters, The Last Black Man in San Francisco works beautifully as an exploration of what makes us who we are

Patience Kanjira reviews Red Dust Road, the stage adaptation of Scots Makar Jackie Kay’s memoir

Cathy Wippell reviews The Greatest Tory Ever Told as part of the Drama Society’s MIFTA Season

Race, Identity and Masculinity: Anuli Changa speaks to writer-actor David Judge and Director Hannah Tyrrell-Pinder about the touring production of Sparkplug

Louis Haddad reviews the photography exhibition, ‘We Are All One’, which sought to humanise the pandemic of homelessness; an all-too-familiar problem in Manchester

Sophia Ashby spoke to Cara Thompson about hair politics, femininity and why only some afros are acceptable.

Sam Brougham discusses the relocation of the Pride festival in Manchester away from Canal Street due to planned redevelopments and what this means for the LGBTQ+ communities who have celebrated there for decades.

This week marked the UK release of 2018’s much anticipated film Crazy Rich Asians directed by Jon M. Chu. A young couple, Rachel (Constance Wu) and Nick (Henry Golding), travel to Singapore for a friend’s wedding and to meet Nick’s family, who, unbeknownst to Rachel, are insanely rich and not the most welcoming. Crazy Rich […]