Do you cry over Don’t Cry for Me Argentina? Head Theatre Editor Jay Darcy explores the hidden meanings behind notable musical theatre songs that audiences have misunderstood

Online editor Bec Oakes reviews UMMTS’ production of Legally Blonde: The Musical, based on the classic Reese Witherspoon chick flick

Jay Darcy reviews Amélie at The Opera House Manchester, a musical adaption of the quirky and surreal French film, which is currently touring the UK

Louise Avey reviews a revival of Hair the Musical at the Palace Theatre

Theatre Editor Anuli Changa reviews Manchester Musical Revue’s 48 Hour Challenge Musical

Grace Johnstone reviews Jersey Boys touring company visit to the Palace Theatre

Lauren Ellis-Stretch reviews ‘Wicked’ in it’s touring production visit to the Palace Theatre

Anuli Changa reviews ‘SIX’ The Musical, the new smash hit by Marlow and Morris, fresh from the West End

Jay Darcy reviews ‘Kinky Boots’ as it visits the Manchester Opera House on its national tour.

Kayleigh Crawford reviews The Astonishing Times of Timothy Cratchit, a musical sequel to Charles Dickens’ A Christmas Carol

Alexia Pieretti reviews the first production of Mame in half a century, starring 2 x Olivier winner Tracie Bennett

Alexi Pieretti reviews UMMTS’ last musical of the year, Spring Awakening; a show which brings hope for societal change whilst condemning censorship and adults who stifle the minds of the young, as well as the criminalisation of abortion

Ella Marsden reviews UMMTS’ production of Seussical the Musical

Jay Darcy reviews jukebox musical Motown The Musical on its touring visit to the Manchester Opera House

Jay Darcy reviews the touring company’s Rocky Horror Show on their visit to the Manchester Opera House

Emily Cushlow review the Theatre Society’s latest production, ‘Chicago’

Colette Bond reviews ‘The Last Five Years’, a Jason Robert Brown musical performed at the Bolton Albert Hall

Anuli Changa reviews MMR’s ‘Foolproof’