The 2019 Toronto Film Festival winner is an unintelligent, unambitious satire on Nazi Germany, failing on a dramatic and emotional level, writes Michal Wasilewski
Film editor Tobias Soar reviews Sam Mendes’ epic set in the Great War, with the use of a single take illusion giving us a brilliantly tense tale of heroism
Following on from The Babadook, Jennifer Kent’s latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar performances, writes Carl Fitzgerald
Written by Shia LaBeouf, Honey Boy is an autobiographical film reflecting upon troubled parental relationships and growing up in a socially excluded neighbourhood, writes Michal Wasilewski
Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald
Noah Baumbach’s Marriage Story combines a heartbreaking divorce story with witty comedic elements to create a masterful emotional rollercoaster, writes Michal Wasilewski
Despite the critically-acclaimed magic of its smash-hit predecessor, due to poor plotting, awkward pacing and musical mis-steps, Frozen 2 has certainly let it go, writes Carl Fitzgerald
Cassia deliver a technically stunning performance at the spectacular Manchester Cathedral, making use of clever lighting to match their breezily indie sound, writes Georgina Davidson
