Set to the backdrop of an isolated Canadian bar, The Oak Room, starring Breaking Bad’s R J Mitte, is an unusual exploration of storytelling, violence and the genre of horror itself
Cara Conte reviews Thriller – Live, the Michael Jackson concert musical at the Palace Theatre
Writer Sam Bronheim reviews Celeste Ng’s New York Times bestseller and its exploration of the multiple roles of women
Cara Conte reviews the stage adaptation of The Exorcist
Assassination Nation is incredibly visually stylish and a clever film which features some of the finest cinematography of 2018.
Michael Fassbender stars in the big screen adaptation of Jo Nesbø’s bestseller
The film is now playing in UK cinemas—we sat down with the Director to get to grips with the film’s essence
Sam Whitehouse reviews UMDS’s Gorgon Westley’s Railway Circus, which was performed at the Peer Hat as part of the MIFTAs
Brian Kirk’s gritty Brooklyn-set police thriller 21 Bridges features exhilarating action set-pieces alongside an important and timely social message, writes Patrick Jones-O’Brien
Balancing thought-provoking questions about expectations with a consistently thrilling story, Luce is a well-acted, engaging and beautifully scored watch, writes James McCafferty
Matthew Ross’ Siberia is like watching his niche but ultimately pubescent fantasy of seducing an eastern European woman in a Siberian café
Tara Bharadia discusses the relevance of the record today
The bestseller does not live up to the high expectations
Tom Ingham chats to world-renowned reggae producer Michael Goldwasser on the Easy Star All-Star’s new project
