Review: Goosebumps 2: Haunted Halloween
Goosebumps 2 has been released following the success of the first, but doesn’t seem worth the wait.

Where to begin? Even at a somewhat short running time of only one hour and forty minutes, this film was a struggle to get through. The sequel to a not too shabby first feature, this film failed to cash in on the nineties nostalgia that was gifted to it by the Goosebumps books and television series.
Initially, I was thrilled and terrified to see the return of Slappy the Ventriloquist dummy as he was the source of many genuine nightmares for me following his television debut back in 1999. This quickly disintegrated into boredom (and yet more boredom) once he did eventually make his first film appearance.
The premise of the film was weak; two middle schoolers, Sonny and Sam, along with Sonny’s sister Sarah, save the town in the wake of Slappy’s vengeful quest for a ‘Halloween family’ — the only actual reference to Halloween in the whole film. Weaker still were the particularly poor puns that were more frequent than actual plot points. Even the comedic styling of SNL’s Wendi McLendon-Covey as Sonny and Sarah’s mother struggled to overcome the terrible script and storyline.
The kids seemed relatively unphased by the ‘horrors’ of Slappy’s retribution unfolding around them. On the one hand, this could be an ode to the unphasable nature of generation Y who’ve had Wi-Fi access since they were in the womb. More likely, however, this lack of reaction was probably down to a sheer lack of acting ability. A similar struggle could be seen in the performances of potentially the least threatening schoolyard bullies of all time.
An awkward cameo from Jack Black reprising his role as R.L Stine did not help matters. His fleeting and unnecessary appearance exuded a strong sense that he was just there to fulfil a contractual obligation his lawyers were unable to get him out of.
Admittedly, this film is aimed at kids, but I can confidently assume that even the sugar high, following a week-long ‘trick or treating’ session, would fail to help them see past the shoddy script, senseless storyline, and relatively naff special effects.
1/5
More Coverage
Insidious: Out of the Further review: a dozy horror sequel
Insidious is back with nothing further to say, leaving in the wake of the Lamberts a ‘fresh’ start only aiming to parrot its ghastly blueprint
An intro to the Manchester film scene
If you’re interested in film or a student looking for the cheapest place to see the latest blockbuster, Film Editor Sophie Potton has you covered
The Last House review: Netflix’s briny flashback to 2020 is five years too late
Sea beasts and silly attempts at a high concept leave The Last House feeling like a messy, overdue dud that misunderstands its own strength
Tony (2026) review: Kitchen chaos, teen angst, and the Cape Cod sea breeze in A24’s heartfelt Anthony Bourdain biopic
“If you’re fond of sand dunes and salty air / Quaint little villages here and there […] If you like the taste of a lobster stew / Served by a window with an ocean view / You’re sure to fall in love with old Cape Cod” – Patti Page, ‘Old Cape Cod’







