MANIFF 2019: Public Figure
By Josh Sandy
Brian Corso’s directorial debut Public Figure is a visually stylish and extremely nuanced look at the public’s growing obsession with social media

Named after the infamous title that countless Instagram ‘influencers’ bestow upon themselves, Brian Corso’s directorial debut Public Figure is a visually stylish and extremely nuanced look at the public’s growing obsession with social media.
The documentary opens looking at the seemingly opulent world in which social media superstars inhabit, and features revealing interviews with creators from across the globe. This is followed by a surprisingly detailed look at the science behind the growing problem of social media addiction. The film makes excellent use of professional psychologists and masterfully guides the audience to both reflect on their own social media habits and consider the actual lives of the people behind the accounts.
Finally, Corso returns to the creators and particularly focuses on New-York based ‘professional memer’, Sebastian Tribbie. Despite his often outlandish and showboating behaviour in public, during the private vox-pops Tribbie comes across as a genuinely likeable character. This change stands out as the perfect case study for the often blurred line between these people’s true personalities and their carefully curated online personas.
Overall, Public Figure is a fantastic example of documentary’s abilities to not only inform, but also to induce contemplation and spark important conversations.
4.5/5.
The 5th Manchester Film Festival is taking place at the ODEON Great Northern from 2nd March to 10th March 2019.
More Coverage
An intro to the Manchester film scene
If you’re interested in film or a student looking for the cheapest place to see the latest blockbuster, Film Editor Sophie Potton has you covered
The Last House review: Netflix’s briny flashback to 2020 is five years too late
Sea beasts and silly attempts at a high concept leave The Last House feeling like a messy, overdue dud that misunderstands its own strength
Tony (2026) review: Kitchen chaos, teen angst, and the Cape Cod sea breeze in A24’s heartfelt Anthony Bourdain biopic
“If you’re fond of sand dunes and salty air / Quaint little villages here and there […] If you like the taste of a lobster stew / Served by a window with an ocean view / You’re sure to fall in love with old Cape Cod” – Patti Page, ‘Old Cape Cod’
The End of Oak Street review: A rip-roaring summer throwback
David Robert Mitchell’s The End of Oak Street leaves a bright footprint on the decaying island of dinosaur flicks.






