The Oscar nominations are finally here, so let’s see who the frontrunners are, and who missed out

Mahalia Belo’s depiction of an ecological crisis is grimly realistic but Jodie Comer’s portrayal of the challenges of womanhood steals the show

As Saltburn dominates FilmTok, Emerald Fennell’s misguided feature debut is once again back in a spotlight that it never deserved

Sofia Coppola’s Priscilla is due to be released in January, but why are we only talking about who plays Elvis?

This 1974 horror classic is credited with creating many of the genre tropes but is it actually a lot more subversive than people think?

Relive your 00s childhood and become drawn in by chocolate-themed musical numbers as we watch Willy Wonka fight to make a name in Paul King’s chocolate world

At times humorous, uncomfortable, and bizarre, Ridley Scott’s Napoleon is a triumph in marketing but a disaster in biography, characterized most glaringly by a serious of obtuse characters, bewildering editing, and alienating narrative choices

As Christmas comes around once again, these are the gifts you should be getting for the cinephiles in your life

This Palme D’or winning courtroom drama has a restless screenplay that holds the audience by the scruff of their conflicted neck to uncover all the messy details as commanding lead Sandra Hüller is put to trial over the mysterious death of her husband

The latest and final instalment in The Hunger Games series has just arrived but does it live up to the book?

Hirokazu Kore-eda’s latest film returns again to themes of childhood and family, but this time round does all of its story strands mesh well together?

Chicken Run: Dawn of the Nugget previewed at Manchester’s Animation Festival for a special Gala screening alongside an exclusive Q&A with Aardman studio

Director Eli Roth serves a fresh take on holiday horror in this long gestated slasher which weaves consumerism and comedy into the mix

It isn’t what’s on the big screen which makes the most powerful impression; it’s the film’s grim use of dystopia and its trivialisation of political violence

Twenty years from its initial release and Hugh Grant’s sneaky feeling still stands as Love Actually is still all around

The Social Network’s brilliance in its pre-empting critique of Mark Zuckerberg resurfaces in the wake of David Fincher’s new film The Killer

Hayao Miyazaki returns to screens with The Boy and the Heron, filled with adventure, sincerity and whimsicality it marks itself as the quintessential Miyazaki film

David Fincher’s new Netflix thriller puts its killer in a Hawaiian shirt, playing with the history of assassin films and mixing it with his signature style

Garth Davis brings to screen Iain Reid’s 2018 sci-fi drama novel with a beautiful but disturbing glimpse of a devastating near-future hypothesis

HOME and Film4 bring a weekend of frightful films to a close with Edgar Wright’s glamorous horror, Last Night in Soho