Sass Holmes reviews the David Lynch takeover of HOME for MIF19, which was a medley of art exhibitions, Q&As, film screenings, and musical performances
Director of Sundance John Cooper and Director of Programming David Courier sit down to chat organising festivals, the wonders of streaming services, and their favourite films of Sundance London 2019 with film editor Tobias Soar
In spirit, it’s Fargo: Alabama, in every other way. It’s a perfect dark comedy that had me falling off my seat in fits of laughter, writes Tobias Soar
Tobias Soar — Despite its underwhelming visual presentation, Corporate Animals is a hilarious dark comedy which might make you squirm in your seat
Sergio Leone’s 1968 spaghetti-western is a rough gem that hasn’t lost its charm
The Grimmfest crew paid homage to two of the best alien invasion films at the Plaza, Stockport
Deputy Editor Amy Wei provides frank running commentary from Game of Thrones’ penultimate episode
If one word could describe Peele’s impeccable second venture into the cinematic world of horror, it’s clever, writes Tobias Soar
The film has a huge amount of heart from the two leading actresses
Steve Backshall, TV explorer and naturalist, comes to RNCM this weekend
Alison Klayman sits down with film editor Tobias Soar to talk about her documentary, political filmmaking, Steve Bannon and humanising evil
Jennifer Kent leaps over the dreaded “sophomore slump” in her highly-anticipated brutal tale of revenge, Tobias Soar writes
An audiovisual spectacle to behold, Apollo 11 is a documentary like no other, writes film editor Tobias Soar from Sundance London
Thunder Road is a captivating must-see, wild journey through the grief riddled unravelling of a police officer’s life
It’s more than just films on at HOME with Lynch’s takeover for the Manchester International Festival
Tim Burton and Disney team up to bring another animated classic to life in live action, with mixed results of solid moments and missed opportunities
The new film from Ali Abassi is expertly crafted and a detailed deep dive into complex questions of the modern world, fronted by fantastic performances
Jonah Hill’s directoral debut is a heartfelt and raw coming-of-age movie that takes an honest, and reflective look back at what it’s like to be a teenager
