Manchester Forecast

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Photo: Daniel Benavides @WikimediaCommons

Review: Us

If one word could describe Peele’s impeccable second venture into the cinematic world of horror, it’s clever, writes Tobias Soar

Photo: Graciela García Romero @WikimediaCommons

El Ángel stands out as one of the most stylish retro crime thrillers in recent memory and is a testament to the underrated brilliance of Latin American cinema

Photo: theglobalpanorama @Flickr

Will Robinson reviews Netflix’s aptly named Love, Death & Robots, the latest take on the growingly popular anthology-style of television.

Photo: courtesy of HOMEmcr

Thunder Road is a captivating must-see, wild journey through the grief riddled unravelling of a police officer’s life

Photo: Josh Telles ' Manchester International Festival.

It’s more than just films on at HOME with Lynch’s takeover for the Manchester International Festival

Photo: Gage Skidmore @ Wikimedia Commons.

Review: Dumbo

Tim Burton and Disney team up to bring another animated classic to life in live action, with mixed results of solid moments and missed opportunities

Photo: John Bauer @WikimediaCommons

Review: Border

The new film from Ali Abassi is expertly crafted and a detailed deep dive into complex questions of the modern world, fronted by fantastic performances

Photo: Harald Krichel @WikimediaCommons

Review: Mid90s

Jonah Hill’s directoral debut is a heartfelt and raw coming-of-age movie that takes an honest, and reflective look back at what it’s like to be a teenager

Photo: Steve Hopson @WikimediaCommons

¡Viva! 2019: Kingdom

Jack Greeney – Señor Serrano’s production finishes up a wonderful ¡Viva! Spanish & Latin American Festival at HOME.

Photo: MyCanon @ Wikimedia commons

A story that follows the three days leading up to the murder by the Manson family, The Haunting of Sharon Tate fails to deliver the thrills it promises, writes Madeleine Peden

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