Theatre Editor Jay Darcy problematises the wish-fulfilment fantasy approach that Netflix have taken with their new series Hollywood

In this time of need, Sam James lists his Top 20 British Films and Television Shows

Manchester Film Festival 2020’s Narrative Shorts 2 were political, satirical and, at times, heartwarming, writes Harley Weng U Pun

Chris Thomas’ Let’s Roll is a hilarious and heartwarming look at resilience and overcoming adversity surrounding the infamous Gloucester cheese rolling competition

Ahead of the 16th Edition of Kinofilm Festival Manchester, head film editor Tobias Soar attended the Spanish Shorts screening

Manchester International Film Festival opens with Traumfabrik, a romantic love story that forms part of the festival’s German Film section, writes Zofia Gryf-Lowczowska

Oh, Sorry is a eloquently written and performed short film that beautifully captures the grieving process and the acceptance that follows, writes Lily Rosenberg

Karoline Herfurth’s Stockholm syndrome-based romantic comedy Sweethearts is neither romantic nor particularly funny, writes Deputy Film Editor Josh Sandy

In light of the raft of sexual misconduct allegations within the film industry, Zofia Gryf-Lowczowska discusses whether or not we truly can separate art from its artist

This Is Not Berlin is a sensual portrait of Mexico’s underground scene amid the social and political turmoil of the 1980s, writes Michal Wasilewski

Loop is an unoriginal take on time travel films and is better suited to the teenage audience of streaming services than film festivals, writes Michal Wasilewski

Up From the Streets has a broad focus, but succeeds in creating a thoroughly enjoyable introduction to the musical history of New Orleans

If you’ve exhausted your usual movie collection already this lockdown, look no further as The Mancunion selects a collection of uplifting films to escape with

And Then We Danced is a deeply emotional, subtle romance which avoids preachiness and pretentiousness by conveying its message through music and dance, writes Michal Wasilewski

In his 2000 adaptation of Hubert Selby Jr.’s novel, Darren Aronofsky creates a disturbing vision of isolation and addiction that remains just as today, writes James McCafferty

Alejandro González Iñárritu’s 2000 directorial debut Amores perros provides a look into the class structure in Mexico City that is still relevant today, writes Zofia Gryf-Lowczowska

Deputy Music Editor Georgina Davidson examines the difficulties in creating, distributing and funding short films

Carl Fitzgerald writes of the new Lovecraft adaptation’s cosmic madness