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Review: The Lighthouse

Robert Eggers steers far from a sophomore slump with this atmospheric horror punctuated by sledgehammer performances from Robert Pattinson and Wilem Defoe, writes Carl Fitzgerald

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Review: Bombshell

Due to a combination of unlikeable protagonists and questionable toning, Bombshell is unable to realise the potential that its cast and subject matter deserves, writes James McCafferty

Twenty years on from its original release, Stanley Kubrick’s final feature proves as baffling, bizarre and frankly dull as ever, writes Alex Ferguson

Review: Cats

Writer Margherita Concina braves the nightmarish world of the feline CGI house of horrors and finds out that, despite its quirks, Cats has some charm to its bizarre world of fluff

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Review: Jojo Rabbit

The 2019 Toronto Film Festival winner is an unintelligent, unambitious satire on Nazi Germany, failing on a dramatic and emotional level, writes Michal Wasilewski

Review: The Nightingale

Following on from The Babadook, Jennifer Kent’s latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar performances, writes Carl Fitzgerald

Review: Knives Out

Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald

Georgina Davidson takes a look at Gorillaz: Reject False Icons, the latest documentary from the innovative and enigmatic virtual band, and reflects on the creativity and influence of their illustrious twenty-year career

Review: A Hidden Life

Terrence Malick returns with a thought-provoking and beautifully crafted homage to the life of Franz Jägerstätter, an Austrian conscientious objector during World War II, writes Zofia Gryf-Lowczowska

Review: 21 Bridges

Brian Kirk’s gritty Brooklyn-set police thriller 21 Bridges features exhilarating action set-pieces alongside an important and timely social message, writes Patrick Jones-O’Brien

Review: Why Women Kill

Created by Desperate Housewives showrunner Marc Cherry, Why Women Kill is a brilliantly written, genre-bending and stereotype-shattering anthology series, writes Theatre Editor Jay Darcy

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Motherless Brooklyn uses stunning cinematography and a great soundtrack to craft a compelling and relevant story

Queen and Slim

Review: Queen and Slim

Carl Fitzgerald reviews the frustrating tale of two runaways, starring Jodie Turner-Smith and Daniel Kaluuya

Review: 1917

Film editor Tobias Soar reviews Sam Mendes’ epic set in the Great War, with the use of a single take illusion giving us a brilliantly tense tale of heroism

Photo: Pxhere

Review: Honey Boy

Written by Shia LaBeouf, Honey Boy is an autobiographical film reflecting upon troubled parental relationships and growing up in a socially excluded neighbourhood, writes Michal Wasilewski