Netflix’s limited series follows a chess genius at work, telling the story of addiction and loss in 1960s United States

Another Round is an excellently crafted piece of work, amusing and fun at times but sincere and serene at its core.

Aunty Donna’s hilarious Aussie mayhem perfectly manages to stay on just the right side of pure insanity

With an abundance of films glorifying war or depicting its experience in a distorted way, accurate portraying war in cinema is more important than ever before

Looking for perfect horror films for your Halloween film marathon? Check out our favourites and pick something spooky for yourself

With a drawn-out plot and not enough scares, The Haunting of Bly Manor leaves a bitter aftertaste to its predecessor

In the first edition of our international cinema feature we take a look at our favourite French and Italian films

Sandleristas rejoice for the prodigal son has returned with his latest comedy caper, Hubie Halloween

Vibrancy and dynamism of growing up in London leap off the screen in this coming-of-age gem, writes Jonathan Hosking

Even though it has two iconic actresses at the centre, Hillbilly Elegy is unable to engage with the big ideas at its centre due to dull writing and bad characterisation

In the second edition of our International Cinema feature we take a look at our favourite Asian films

Confused by Christopher Nolan’s Tenet? Blake Crompton explores the scientific theories behind this mind twisting action thriller.

Outrageous, thought-provoking, and politically charged, Sacha Baron Cohen’s ‘Borat’ sequel has big swings but few hits

A whole host of Spooktacular frights await at Chapeltown Picture House this weekend, writes Culture Editor Georgina Davidson

A24’s latest psychological horror is a perfect portrayal of a character gone mad, and makes a good reason to venture out to cinema this Halloween

Set to the backdrop of an isolated Canadian bar, The Oak Room, starring Breaking Bad’s R J Mitte, is an unusual exploration of storytelling, violence and the genre of horror itself

Aaron Sorkin’s latest film, The Trial of the Chicago 7, returns to a familiar period of US history through a well-constructed courtroom drama

Jon Stevenson’s directorial debut Rent-A-Pal is an intriguing character study ultimately let down by its underdeveloped script and weak ending, writes Ross McFadden