Carl Fitzgerald reviews Jessica Hausner’s “stunning” and “fantastically creepy” plant-based thriller

Oh, grow up, will you? Writers and editors of the film section come together to compile the essential list of coming-of-age films

Alongside Mark Ruffalo’s excellent performance, Todd Haynes’ fact-based legal thriller has a powerful and timely ecological message, writes Patrick Jones O’Brien

In its 26th year running, ¡Viva! is back at HOME, bringing with it a selection of 31 films from Spain and Latin America

Ella Broadbent interviews Nikola Vasakova, founder of the global female filmmaker support network Girls in Film

If women considered the weaker sex, then how come we are to blame when it comes to the destruction of a man’s career or reputation?

From heartful documentaries to skaterboy thrills, we give you the best from the acclaimed producers

I was sad to leave that marvellous world I had been transported to for two hours – That is the sign of truly impeccable cinema, writes William Johnston

Featuring a spellbinding performance from Tom Hanks, A Beautiful Day in the Neighbourhood is a charming and heartwarming look at a true American icon, writes Will Burdess

The film industry will not make any progress in overcoming a culture of rape and assault so long as Roman Polanski continues to be successful, argues Kate Jackson

Featuring a standout performance from Elizabeth Moss, Leigh Whannell’s adaptation of HG Wells’ 1897 novel is a masterclass in updating a classic character for the 21st century, writes Carl Fitzgerald

A combination of Midnight Family’s thrilling cinematography and enthralling ethically complex subject matter make it a must-see documentary, writes Zofia Gryf-Lowczowska

In celebration of Manchester’s upcoming Women In Media, this week’s recommendation column features the film section’s writers and editors highlighting their favourite female-directed films

Sam James reviews Greed, Steve Coogan’s exaggerated biopic of the life of Philip Green

This abstract Burroughs adaptation is simultaneously Cronenberg’s grimmest and funniest film, earning a spot at HOME’s latest season on ‘unfilmable’ books, writes Carl Fitzgerald

Even after his dramatic redesign, Sonic the Hedgehog may have been better off staying in the Green Hill Zone rather than sprinting onto the big screen, writes Tom Kuson

What do a middle-class English family and a Syrian refugee have in common? A lot more than you might think, argues Channel 4 sitcom Home

Caitlin Williams reviews Birds of Prey, a thrilling showcase of a great girl gang team-up