Robert Eggers steers far from a sophomore slump with this atmospheric horror punctuated by sledgehammer performances from Robert Pattinson and Wilem Defoe, writes Carl Fitzgerald

Due to a combination of unlikeable protagonists and questionable toning, Bombshell is unable to realise the potential that its cast and subject matter deserves, writes James McCafferty

This Valentine’s Day weekend join The Village Screen pop-up cinema at Manchester’s historic Victoria Baths for one-off screenings of True Romance and Bridesmaids

Twenty years on from its original release, Stanley Kubrick’s final feature proves as baffling, bizarre and frankly dull as ever, writes Alex Ferguson

Writer Margherita Concina braves the nightmarish world of the feline CGI house of horrors and finds out that, despite its quirks, Cats has some charm to its bizarre world of fluff

Political satirist Armando Iannucci assembles an all-star cast for this period epic adaptation of Dickens’ novel that’s witty, energetic and charming, writes Carl Fitzgerald

The 2019 Toronto Film Festival winner is an unintelligent, unambitious satire on Nazi Germany, failing on a dramatic and emotional level, writes Michal Wasilewski

Following on from The Babadook, Jennifer Kent’s latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar performances, writes Carl Fitzgerald

Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald

Georgina Davidson takes a look at Gorillaz: Reject False Icons, the latest documentary from the innovative and enigmatic virtual band, and reflects on the creativity and influence of their illustrious twenty-year career

Terrence Malick returns with a thought-provoking and beautifully crafted homage to the life of Franz Jägerstätter, an Austrian conscientious objector during World War II, writes Zofia Gryf-Lowczowska

Brian Kirk’s gritty Brooklyn-set police thriller 21 Bridges features exhilarating action set-pieces alongside an important and timely social message, writes Patrick Jones-O’Brien

Created by Desperate Housewives showrunner Marc Cherry, Why Women Kill is a brilliantly written, genre-bending and stereotype-shattering anthology series, writes Theatre Editor Jay Darcy

Motherless Brooklyn uses stunning cinematography and a great soundtrack to craft a compelling and relevant story

Carl Fitzgerald reviews the frustrating tale of two runaways, starring Jodie Turner-Smith and Daniel Kaluuya

Film editor Tobias Soar reviews Sam Mendes’ epic set in the Great War, with the use of a single take illusion giving us a brilliantly tense tale of heroism

Written by Shia LaBeouf, Honey Boy is an autobiographical film reflecting upon troubled parental relationships and growing up in a socially excluded neighbourhood, writes Michal Wasilewski

The snubbing female artists and stories cannot be blamed on a lack of talent but reflects serious problems within awards bodies