Carl Fitzgerald reviews the frustrating tale of two runaways, starring Jodie Turner-Smith and Daniel Kaluuya
Film editor Tobias Soar reviews Sam Mendes’ epic set in the Great War, with the use of a single take illusion giving us a brilliantly tense tale of heroism
Written by Shia LaBeouf, Honey Boy is an autobiographical film reflecting upon troubled parental relationships and growing up in a socially excluded neighbourhood, writes Michal Wasilewski
The snubbing female artists and stories cannot be blamed on a lack of talent but reflects serious problems within awards bodies
Writers and editors from all over The Mancunion come together to list their favourite films of the past decade
In the long-awaited sequel to our Mancunian Guide, we asked our writers to pick their favourite festive films — all you have to do is trust them
Kubrick’s most controversial film based of the Steven King novel of the same name, The Shining, is revisited by writer Tom Kuson
Milorad Krstic’s Ruben Brandt, Collector is an engaging and visually stunning film which stands as a true testament to the uniqueness of animation, writes Deputy Film Editor Josh Sandy
Online editor, Bec Oakes, explains her disgust at Paramount’s plans to remake Clueless
The 2019 Toronto Film Festival winner is an unintelligent, unambitious satire on Nazi Germany, failing on a dramatic and emotional level, writes Michal Wasilewski
Following on from The Babadook, Jennifer Kent’s latest film The Nightingale proves a searing depiction of colonialism and the intersection of oppression fronted by stellar performances, writes Carl Fitzgerald
Featuring an all-star cast and a brilliant script, Rian Johnson’s Knives Out is an innovative and enthralling take on the classic Agatha Christie-style whodunnit, writes Carl Fitzerald
Opinon Editor Nimo Omer attended the preview event at HOME for Mimi and the Mountain Dragon, which premieres on BBC1 on Boxing Day
Noah Baumbach’s Marriage Story combines a heartbreaking divorce story with witty comedic elements to create a masterful emotional rollercoaster, writes Michal Wasilewski
Despite the critically-acclaimed magic of its smash-hit predecessor, due to poor plotting, awkward pacing and musical mis-steps, Frozen 2 has certainly let it go, writes Carl Fitzgerald
Visiting The Old Bank Residency in NOMA, Darcie Tickner chats to the owner and discovers what the space is all about
Based on a true story, Scott Z. Burns’ film combines a socially relevant plot with stand-out performances to great effect, writes Zofia Gryf-Lowczowska
Despite its potential, Paul Feig’s Wham-quoting Christmas rom-com wastes its stars’ talent and fails at meaningful social comment, writes Carl Fitzgerald
