The Godfather Coda: The Death of Michael Corleone: is it that much worse than its predecessors? Find out here

MANIFF 2022: Korean sci-fi drama fails to offer anything other than a bland and predictable social critique

MANIFF 2022: Kirby McClure’s debut feature is cinematically gorgeous but struggles to deliver an engaging and comprehensive plot

This mafia masterpiece has more to say than just action, corruption and murder – at its core are pertinent questions about immigrant status and a changing set of values in the face of the ‘American Dream’.

MANIFF 2022: Poser combines podcasting and niche musicians to depict the obsessions of a less basic than she’d like to admit young 20 something in New York

MANIFF 2022: A creepy local Welsh girl, a glutinous aristocrat and a family rife with sinister greed constitute this unsettling contribution to folkloric horror

MANIFF 2022: A witty mix of sci-fi horror and family melodrama, Natalie Kennedy delivers in her first foray into the genre

MANIFF 2022: Katie Boland acts in, directs, writes, and produces her directorial debut We’re All in This Together

Pip Carew tackles the most revered film of all time and sees if The Godfather delivers on its mammoth reputation.

Quoted by everything from The Sopranos to Family Guy, Francis Ford Coppola’s mafia saga has become one of America’s foundational artworks – and for good reason

MANIFF 2022: In this Cannes-winning film, a young woman travelling to subpolar Russia forms an unlikely connection with her compartment mate

Simple and unmemorable CODA was recognised as the Best Picture of the year, but 2022 Oscars made headlines for an entirely different reason

MANIFF 2022: 18 1/2 combines wit, romance, thriller and politics to create a highly entertaining 70’s comedy

Whilst undeniably a new take on the caped crusader, Matt Reeves’ recent The Batman misses the mark and only manages to offer a two-dimensional mystery slog

Simon Rex plays charming predator in Sean Baker’s latest film

Pixar’s new feature Turning Red is a story of female friendships and tackles important issues like never before

From the Netflix flagship films to the independent low budget flicks, 2021 has been a big year for female dominated horror movies. Dan Collins looks back at the female stars, auteurs and writers of the last year.

The Power of the Dog or CODA? On the homestretch of the season, Head of Culture Michal Wasilewski presents his final predictions for 2022 Oscars.

Pip Carew and Daniel Collins give a detailed analysis of films which pass and fail the bechdel test and examine it’s importance

Florrie Evans explores the first female filmmakers, highlighting their most famous films and their feminist message