If women considered the weaker sex, then how come we are to blame when it comes to the destruction of a man’s career or reputation?
Netflix’s Sex Education has received high praise for it’s ability to break down taboo topics around sex, and other issues
Beatrice Pearson discusses the wave of feminist protests in Latin America and what we can learn
Laura Davies reviews Little Mix’s LM5 tour which promoted all things feminism, including standing up to what you believe in and rejecting unfair criticism
Ava Innes argues that decriminalisation is the logical, feminist way forward when it comes to sex work
Theatre Editor Jay Darcy reviews Proper Job Theatre’s Dorian
Podcasts have become increasingly popular, writer Eliza Robey shares a couple of her favourites
Theatre Editor Jay Darcy reviews & Juliet, a jukebox musical reimagining Romeo & Juliet, ahead of its West End transfer
Kayleigh Crawford reviews the RSC’s gender-swapped adaptation of The Taming of the Shrew at the Lowry
Cara Conte delves into the world of Onlyfans and the evolving world of sex work
Created by Desperate Housewives showrunner Marc Cherry, Why Women Kill is a brilliantly written, genre-bending and stereotype-shattering anthology series, writes Theatre Editor Jay Darcy
The first Vagina Museum has opened it’s doors in London, writer Jade Yong visited and shares her thoughts
Becky Mundill writes about how we need to stop being passive bystanders of street harassment, and start talking about it
The UK may acknowledge that sex without consent is rape in ours laws, but many still believe the damaging myths about rape and sexual assault, argues Kate Jackson
Plenty of women choose not to have children and it is not always about choosing between a career or a family, argues Kate Jackson
Writer Mabel Banfield discusses the need for feminism to become intersectional and include other marginalised groups
Chess Bradley ponders whether we have collectively reduced Frida Kahlo into a pop feminism icon
Georgia Charlton-Briggs does not avoid tackling taboo subjects straight on; in her works she examines how women become entrapped in modern beauty standards which define attractiveness based on the state of being hairless.
