Deputy Music Editor Sarah Taylor reviews the debut album from indie darlings Wet Leg.

Emily Johnston reviews an energised night at the Manchester Academy from Aussie punks The Chats.

Will Waterhouse reviews Luna Blue’s set at 33 Oldham Street

MANIFF 2022: 18 1/2 combines wit, romance, thriller and politics to create a highly entertaining 70’s comedy

Alex Cooper reviews The Mysterines’ explosive debut album ‘Reeling’.

Indie expert and Mancunion Dan Knight gives his opinion on the new Sherlocks Record. A band that should be his home town heroes but fails to impress.

Florence + the Machine confront misogyny in the music industry on new single ‘King.’ Molly Gregson reviews.

A review of ‘The Kooks’ live at Manchester o2 Victoria Warehouse as they tour their 15 year old album ‘Inside in/Inside out’

CODA may have been overlooked due to its innocuous Apple TV+ release but its warm yet thoughtful outlook makes it one of 2021’s best coming-of-age tales.

Sarah Taylor reviews Miles Kane newest album, Change The Show.

With their fourth studio album due out early next month, Alt-J discuss The Dream LP and creating safe spaces at concerts.

Snail Mail’s sophomore album beautifully conveys her emotions, and does not hold back.

Emily Johnston reviews a riveting and riotous night at Manchester’s O2 Ritz, courtesy of post-punkers shame.

Kristin Cooper catches up with Mikey, Jasper, and Ollie of caroline to discuss their return to Manchester and the making of their EP ‘Skydiving onto the library roof’.

The alternative-indie rock band King No-One took Manchester by storm for their final show of the tour.

Ahead of the release of their second LP ‘Outside Of The Blue’, Sarah Taylor sits down with Jonny Quinn of SPINN to chat taking inspiration from mental health, politics, horror films and Christmas!

Sam Dynes explores the music of the alternative cult artist Dean Blunt and how his music acts as an archive of black musical history.

We interview indie-pop misfits BLOXX about their upcoming tour, latest EP ‘Pop Culture Radio’, and the importance of speaking up.

Following a masterpiece isn’t easy. Lana Del Rey’s 2019 album Norman Fucking Rockwell was one of the most universally acclaimed albums of that year, if not the entire decade, and certainly the most acclaimed of the artist’s career. When it was announced that her next album, also produced by Jack Antonoff, would be released the […]

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