Alexia Pieretti reviews We Won’t Fall at the International Anthony Burgess Foundation
Lily Rosenberg and Theatre Editor Jay Darcy review Vogue Ball of Atlantis at Manchester Academy
Rosemary Russett reviews Queer Lady M at Waterside Plaza
Rosemary Russett reviews Sound Cistem at HOME Theatre, as part of Push Festival, from Plaster Cast, a theatre company made up of past and current UoM students
Jess Johnstone reviews UMDS’ double bill of Mother Tongue and Riot Act at Tribeca Bar
What do the everyday issues of a middle-class family and the not-so-everyday issues of two hired assassins have in common? Find out in this double-feature review
Evie Appleson and Theatre Editor Jay Darcy interview BenDeLaCreme and Jinkx Monsoon, ahead of their show, All I Want for Christmas is Attention
As part of Black History Month, Chess Bradley discusses Tom Quayle’s beautiful, joyful images of the LGBTQI group Rainbow Noir
Alexia Pieretti reviews The Funeral Director on its visit to HOME
And Then We Danced is a deeply emotional, subtle romance which avoids preachiness and pretentiousness by conveying its message through music and dance, writes Michal Wasilewski
Francesca McClimont reviews Bourgeois and Maurice’s Insane Animals at HOME Theatre
Francesca McClimont attends the press event for Bourgeois and Maurice’s first musical, Insane Animals, which also stars Lockie Chapman from The Overtones
Claudia Langley reviews As British as a Watermelon at Hope Mill Theatre
Alana Cook and Jess Johnstone review Priscilla Queen of the Desert, starring Joe McFadden, at the Palace Theatre
Patience Kanjira reviews the 6th Birthday Special of Cherie Bebe’s Burlesque Revue at Matt and Phreds
Anna Jin reviews Burnout at the King’s Arms
Alexi Pieretti reviews UMMTS’ last musical of the year, Spring Awakening; a show which brings hope for societal change whilst condemning censorship and adults who stifle the minds of the young, as well as the criminalisation of abortion
In the wake of criticism surrounding Ariana Grande’s headline slot at Manchester Pride, Alex Corns asks for some perspective
