Ana Maria Ortiz reviews Tribe’s Still I Rise at the Lowry

Theatre Editor Jay Darcy reviews Dr. Seuss’ How the Grinch Stole Christmas! The Musical, starring Griff Rhys Jones OBE, Edward Baker-Duly and Matt Terry

Lily Martin reviews Opera North’s rendition of La bohème at The Lowry Theatre

Rosemary Russett reviews Circus 1903 at the Lowry

Dolly Busby reviews Gameshow’s Nuclear Future, the portrayal of family in a post-nuclear apocalyptic landscape

Cara Conte reviews Zoonation’s Olivier Award-nominated Some Like it Hip Hop

Evie Appleson attends the press showcase held at Chill Factore for Dr Seuss’ How the Grinch Stole Christmas The Musical

Claudia Langley and Theatre Editor Jay Darcy review The Thunder Girls, directed by Joyce Branagh and based on the best-selling book by Melanie Blake

Sam Bronheim reviews the Royal Shakeaspeare Company’s adaptation of As You Like It

Kayleigh Crawford reviews Mischief Theatre’s Peter Pan Goes Wrong at the Lowry

Anna Jin reviews The Little Prince, an adaptation of the Antoine de Saint-Exupéry novella, at the Lowry

Sam Bronheim reviews Matthew Bourne’s The Red Shoes at the Lowry, which stars Adam Cooper and Ashley Shaw

Tara Bharadi reviews Nigel Slater’s autobiographical play, Toast

Sophia Hadji-Michael and Theatre Editor Jay Darcy review Dada Masilo’s radical reimagining of the classic ballet Giselle

Camila Florencia Rusailh reviews Igor and Moreno’s BEAT at the Lowry

Alexia Pieretti reviews Hedda Tessman, a modern retelling of Henrik Ibsen’s iconic Hedda Gabler

Bayse Genc reviews Box of Tricks’ Under Three Moons at the Lowry

Kayleigh Crawford reviews the RSC’s gender-swapped adaptation of The Taming of the Shrew at the Lowry