Head Theatre Editor Jay Darcy reviews Bloody Elle at the Royal Exchange Theatre – the first show at the Royal Exchange since the beginning of the coronavirus pandemic
Kayleigh Crawford reviews Super Duper Close Up at the Royal Exchange Theatre
Francesca McClimont argues why fans of Emily Brontë’s Wuthering Heights will enjoy the Royal Exchange Theatre’s modern adaptation
The NYT are holding auditions for young people, aged 14-25, at the Royal Exchange Theatre in February and March
Kayleigh Crawford reviews the Royal Exchange Theatre’s adaptation of Macbeth, a new production that evaluates gender
Alfie Clark reviews Mother Courage and Her Children in its re-imagined dystopian form, at the Royal Exchange Theatre
Anuli Changa speaks to cast member Emmanuel Ighodaro about Inua Ellams’ Barber Shop Chronicles at the Royal Exchange Theatre in association with Contact Theatre
Urussa Malik reviews Knaïve Theatre’s ‘War With The Newts’ at the Royal Exchange Theatre
The House of Bernarda Alba is a gripping and emotional play whose symbols and characters remain relevant 80 years after its original setting
Sam McElhattan reviews Augmented at the Royal Exchange Theatre
Anna Jin interviews the award-winning playwright Winsome Pinnock ahead of her play Rockets and Blue Lights
Anna Jin reviews SPLIT/MIXED at the Royal Exchange Theatre
Alexia Mieretti reviews 24 Hours of Peace, Neil Bartlett’s 24-hour show at the Royal Exchange Theatre
Amy Hagan reviews West Side Story reimagined at the Royal Exchange Theatre
Anuli Changa reviews the incredible Barber Shop Chronicles at the Royal Exchange in association with Contact Theatre
“Shocking, insulting and outrageous and I loved every minute of it”: Bella Jewell reviews the musical that combines Nazism, glorious campness, and spandex
The Bruntwood Prize for Playwriting is open for submissions
This reinvention of the classic Broadway musical will have you laughing, clapping and ready to dance the night away
