For the first time in its history, the Royal Exchange Theatre has announced a year-long season – which sees the return of creative duo Sarah Frankcom and Mazine Peake

Aayush Chadha reviews Glee & Me at the Royal Exchange Theatre

Head Theatre Editor Jay Darcy reviews Bloody Elle at the Royal Exchange Theatre – the first show at the Royal Exchange since the beginning of the coronavirus pandemic

Kayleigh Crawford reviews Super Duper Close Up at the Royal Exchange Theatre

Francesca McClimont argues why fans of Emily Brontë’s Wuthering Heights will enjoy the Royal Exchange Theatre’s modern adaptation

The NYT are holding auditions for young people, aged 14-25, at the Royal Exchange Theatre in February and March

Kayleigh Crawford reviews the Royal Exchange Theatre’s adaptation of Macbeth, a new production that evaluates gender

Alfie Clark reviews Mother Courage and Her Children in its re-imagined dystopian form, at the Royal Exchange Theatre

Anuli Changa speaks to cast member Emmanuel Ighodaro about Inua Ellams’ Barber Shop Chronicles at the Royal Exchange Theatre in association with Contact Theatre

The Strange Undoing of Prudencia Hart is the Royal Exchange Theatre’s annual musical of 2021

Aayush Chadha reviews The Mountaintop at the Royal Exchange Theatre during Black History Month

Sam McElhattan reviews Augmented at the Royal Exchange Theatre

Anna Jin interviews the award-winning playwright Winsome Pinnock ahead of her play Rockets and Blue Lights

Anna Jin reviews SPLIT/MIXED at the Royal Exchange Theatre

Alexia Mieretti reviews 24 Hours of Peace, Neil Bartlett’s 24-hour show at the Royal Exchange Theatre

Amy Hagan reviews West Side Story reimagined at the Royal Exchange Theatre

Anuli Changa reviews the incredible Barber Shop Chronicles at the Royal Exchange in association with Contact Theatre

“Shocking, insulting and outrageous and I loved every minute of it”: Bella Jewell reviews the musical that combines Nazism, glorious campness, and spandex