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Month: February 2019

Event Preview: Disco WIMferno

Looking for something to beat those Monday blues? You’re in luck, because the Women in Media team are hosting their second fundraiser, Disco WIMferno on Monday, 18th February, at Indigo in Withington.

It’ll be raising funds for the Women in Media Conference in March, showcasing some top women in the media industry who’ll be hosting a whole range of panels, talks, and workshops. If you’re interested in a career in the media, it’s definitely an event you do not want to miss.

But, before we jump ahead to March, let’s focus on the 18th of February. The night promises some of the very best of disco, funk, and house which, let’s face it, is guaranteed to be a winner.

On the decks will be Fortysept – the founder of big bro events, the home of Discopia. Joining Fortysept will Manchester-based DJ duo Sood x Kiana. Kiana has played at Partisan Collective twice for All Hands On Deck – an all female DJ collective – and was featured at the MisogynyisHate night last semester. Masood Saloo, alias Sood, also produces and dropped his debut track earlier this year.

Tickets for the night are an absolute steal at only £4, so there’s absolutely no excuse not to get on your dancing shoes. Doors open at 10pm and you can dance the night away to your heart’s content until 2am, which is perfect for getting to your Tuesday morning classes.

Bella Jewell, Co-Chair, said: “Our disco themed fundraiser’s proceeds will go towards putting together a truly fantastic conference. The conference itself promises to be an opportunity to learn from some of the best women in their industry.

“The diverse nature of our timetable, packed with panels, workshops, speeches and more will cover a vast variety of areas, from investigative journalism to PR and communications. There is something for everybody, so make sure to buy a ticket for the fundraiser and conference if you can!”

All the funds raised will go towards the Women in Media conference and, in turn, any profits from the conference are being donated to MASH (Manchester Action on Street Health), a charity offering advice and support to sex workers in Manchester. They run a drop-in Centre in the ‘beat’ area, visit women in massage parlours and take the MASH mobile drop-in van out, late at night, around the streets of Manchester and Cheetham Hill to reach women sex working on the streets.

So, not only will you get a weekend of inspiring talks from women in media, you’ll also be helping to raise vital funds to protect some of Manchester’s most in need.

For more information and tickets for Disco WIMferno, visit the event page on Facebook.

Live Review: Ghetts

Before I ventured into Gorilla on a dreary February night, my hopes were high. I’m not the biggest Ghetts fan but I’d heard good things. The rapper is something of a legend and has been active since 2003, so I was naturally excited to see if he lived up to his legacy. We were plunged straight into an atmosphere I’ve never witnessed before, indulging ourselves in the heavy loudness of ‘Slumdog Millionaire’.

Ghetts himself has a remarkable stage presence, bouncing around the venue with energy and delight in his career. This electricity was matched by the crowd, who were determined to cling and jump for every word that they could. The energy in the room was frankly palpable and a delight to witness. It’s rare to see so many people so hyped over one individual artist, and the frenzied atmosphere really did fill the room.

One of the highlights of the night was the well-known ‘London’. The song had the crowd leaping as they shouted the rapport of “practice, preach”. The diverse crowd was a chaotic cluster of gun fingers and mosh pits. They were clamouring to both spit the lyrics back at their hero and gain his attention.

The high intensity of the gig continued in the likes of ‘Artillery’ and ‘Halloween’, both played disgustingly loud. Once more, the chaos of the crowd was nimbly controlled and played by Ghetts, who lapped up the applause and movements alike. Both of the songs were perfectly articulated as the verses were rapped out. This allowed the crowd to play up into the opportunities to sing back.

A common criticism of the grime genre is that all the songs sound the same, commonly labelled as aggressive. However, Ghetts managed to tear down this assumption on multiple occasions throughout the gig. The poignancy of  ‘Jess Song’, a tribute to his late friend’s experience with osteosarcoma (rhymed impressively, with “hard shoulder”) involved every phone torchlight in Gorilla being switched on. It wasn’t a moment necessarily expected from a grime gig – but then why shouldn’t it be expected?

Perhaps it is due to grime’s close association with masculinity and therefore thought to be more about strength and ego than emotion. Ghetts proved, however, that the best can do both. Similarly, the track ‘Black Rose’ detailed a struggle with fatherhood and racial representation set over softly set beats. The music feels endlessly dynamic and diverse, encapsulating the genre from multiple perspectives.

I was surprised by just how much I enjoyed Ghetts – the rhythm of tracks like ending song ‘Know My Ting’ offered a dance while heavier tracks such as ‘Shellington Crescent’ were perfect to leap into the pit. Grime as a genre offers a relatability for young people, exploring issues such as knife crime and discrimination. However, Ghetts’ audience was as expansive as his take on the genre, and it was, surprisingly, one of the most enjoyable gigs I’ve ever attended.

Whether due to the electricity that seemed to thrum through the crowd or the brilliant showmanship of Ghetts himself, it truly was a night to remember.

8/10.

Beetham Tower in disrepair

The future of the iconic Beetham Tower in Manchester city centre has been thrown into doubt.

Built in 2006 and hailed as ‘the first skyscraper outside of London’ at a cost of £150 million pounds, the tower is in disrepair and requires urgent construction work. The owner of Beetham Tower, North West Ground Rents Limited, has lost a court ruling over the famous tower.

The first 22 of the 47 floors are taken up by the Hilton Hotel. The hotel’s owner, Blue Manchester Ltd, has taken the tower’s owners to court over their refusal to carry out essential repairs.

The building requires work to fix 1350 ‘shadow blocks’ that make up the facade of the building. This has been known since 2014 but nothing has been done since. After the court ruling, North West Ground Rents Ltd has been ordered to pay £250,000 of compensation within 28 days. This amount could yet rise further with the court yet to decide on any damages that may be awarded.

Guests of the famous hotel have complained about problems with the water supply, and disruptions to parking and arrival. The condition of the building and its glass panels are said to threaten the safety not only of guests in the hotel, but also of local residents. As yet, no decision has been made on when or even if any repair works will be carried out.

The state of the building is also said to be a concern of the residents whose homes make up the 25 floors above the hotel.

Beetham Tower stands at 169m and is currently the tallest building in Manchester.

Authorities seize 100 shisha pipes from Curry Mile shisha cafés

Two establishments on Manchester’s ‘Curry Mile’, Dubai Café and Wanasah Café, breached planning regulations resulting in more than 100 pipes and 30 kilograms of shisha tobacco being seized.

Landlords of three other premises, Layali Lounge, Marmara and Cavalli Lounge, also in the Wilmslow Road area, have evicted tenants in order to avert similar illegal ventures. Failure to prevent this could result in unlimited fines.

Shisha, or hookah, originates from India and has been found to have a multitude of negative health effects, including increased risks of heart disease and cancer. Shisha cafés themselves are not illegal, but the correct planning permission must be obtained.

This has been the case since the 2007 ban preventing smoking for enclosed public spaces. According to the law, if the premises have a ceiling then at least half of the wall space must be open if people wish to smoke amongst those premises.

The outbreak of illegal shisha cafés has been attributed to the cafés replacing premises that were previously restaurants without acquiring the relevant permission.

Previously, owners were able to avoid liability through not knowing the law but due to advancements in planning enforcement powers this is no longer a valid excuse.

Executive Member for the Neighbourhoods, Councillor Rabnawaz Akbar, said that “for too long landlords have been able to hide from their responsibilities” and that he’s “pleased the loophole has now been closed”.

Councillor Angeliki Stogia, Executive Member for Environment, Planning and Transport, emphasized the reasoning behind the law, she said: “their continued operation is a serious public health issue and this should underline our commitment to promoting happy and healthy communities.”

A 2005 World Health Organisation study revealed that one hour of shisha smoking results in inhalation of the same amount of smoke equivalent from 100+ cigarettes.

Clearly, the enforcement team are taking this problem seriously and the added onus on landlords will ensure illegal shisha cafés attain the correct permission or are otherwise shut down.

 

Album Review: Drenge – Strange Creatures

When I think of Drenge, my first thoughts drift to their popular track ‘Fuckabout’. A low and reasonably soft track, they tend to draw my mind to guitar-led tracks delving into inner melancholia.

So when the new album Strange Creatures burst open with ‘Bonfire Of The City Boys’, I was surprised to say the least.

Bringing to mind the likes of Idles and Shame, the opening song is a heavy riff-led track. The vocals, essentially spoken, are rapid and fast as they lead into an immensely powerful guitar. As it continues to lurch through at record speed, the song feels almost uncomfortable on the ears. It’s unsettling, but not necessarily bad — chaotic, grating, and confusing but not bad. Once more after the vocals the track splits into hefty guitar, this time overlaid with Eoin Loveless’ vocals, which are bordering on screaming.

The album’s chaotic nature continues with ‘This Dance’, continuing the theme of heavy riffs and vocals that feel a little weak at this point. The song feels very classic rock and roll, with vocals that seem to have been produced to dip with the odd, consistent riff underneath. The riffs feel a little relentless, with a chorus repeating, “This dance is the last moment of movement something to prove we can dance,” that drills straight into the brain.

When discussing the album, the band described it as sounding like “the stereo [was about] to fall apart at any moment,” and that feels most accurate on this track. It’s a cacophonous, riff-driven display of sound. This feeling blurs into ‘Autonomy’, which features a buzzing and glitchy beginning that turns into drums. It feels a lot more produced and refined than the previous works of Drenge. There’s something a lot heavier and harder about this album, and you can tell the consideration that’s gone into each track.

The influence of youth is also visible on ‘Prom Night’, which feels delightfully nostalgic in the storytelling of its lyrics, such as: “Prom night in the heat of July, king and queen snog by the toilets”. There’s something wonderfully well-captured about this particular track that turns horrific as it tells of a fire at the event. The saxophone on this one is especially beautiful — long and drawn out for the entire second half of the track. This instrumental experimentation is stunning, and gives the whole song an orchestral feeling that achieves the same nostalgic effect as the lyrics.

While the album does feel samey at points — the guitar-drenched ‘Strange Creatures’ and ‘No Flesh Road’ mean that after a while the hefty solos get a little tiresome — there is an undeniable experimentation going on. For example, ‘Never See The Signs’ begins with an almost glitch-like selection of synths before the vocals come in. Similarly, ‘Avalanches’ — a personal favourite — seems to be underlaid with a sort of buzzing white noise that allows the record’s chaotic, dissonant feeling to really jump out.

The album ends a little oddly with the closer, ‘When I Look Into Your Eyes’. The end feels slightly abrupt, carrying a much more indie and vocal-centric vibe than the rest of the tracklist, which makes an odd genre-switch from rock right at the last minute. More upbeat and rather 80s in auditory aesthetic, it rings with a groovy backing vocal that once again leads to a frenzied, grating listen. Similar to the rest of the album, it feels almost aggressive on your ears despite the softer vocals on top. Whilst being another track that is not necessarily bad, it again means the album posits a more uncomfortable listen than previous records.

For any band, releasing their first LP in four years takes guts, but Drenge have released something worth the time. The album is incredibly layered and intricate, spanning genres and instruments. It feels a lot more aggressive than their past releases but the intriguing, chaotic atmosphere makes for an excellent listen. It feels a little more akin to art than music — while you might not like it, it’s easy to appreciate it. While they certainly have shifted momentous amounts since I first came across ‘Fuckabout’, it’s safe to say Drenge have created an album worth the four year wait since Undertow.

7/10.

Manchester Pride Bosses uphold decision to escalate ticket prices following backlash from fans

Manchester Pride bosses are upholding their decision to increase ticket prices despite these prices having doubled since 2018, with weekend passes costing £70.95 (£64.50 plus booking fee.)

The cost of attending the weekend festival at the new Mayfield venue is a considerable escalation from the £22-28 price tag of 2018 tickets.

This decision to increase ticket prices has led to a backlash on the Manchester Pride Facebook and Twitter pages, with critics arguing that the event is ‘pricing people out of pride’ before knowing which acts are even playing the event.

Yet, the bosses have made a point of reassuring festival go-ers they will get their money’s worth. They have claimed that 2019’s Manchester Pride will not be comparable to previous years, with the hope of producing a sell-out show of a bigger scale than ever before, hence the venue change to Mayfield.

In a statement, Manchester Pride CEO Mark Fletcher stated, ”We’ve seen record figures for our pre-registered ticket buyers already and tickets only went on sale this morning…we anticipate the event will sell out.”

Either side of the live shows on the 24thand 25thAugust there will also be events hosted within the Gay Village including street food and live music in Sackville Gardens. An alternative ticket is offered for those who wish to just attend these activities within the Gay Village at a price of £16.50 for the weekend or £11 for the day.

Despite these reassurances by the bosses, fans are not convinced, arguing the cost of the tickets is taking the attention away from the celebration of pride.

Brett Herriot tweeted: ”So sad that @ManchesterPride are charging £70+ for top tier tickets, the commercialisation for profit of an event that should celebrate diversity is now only for those that can afford it, shameful indeed.”

Furthermore, fans argued the acts playing would have to be extremely good to justify the ticket price, Bob Hope stated that ”for that price if Madonna ain’t there, I ain’t there.”

Nevertheless, Pride CEO Fletcher has contested this point, stating: ”as before, a number of hardship tickets will be made available for those facing financial hardship.”

In fact, some fans quickly came to the defence of Pride bosses, with Colby James Davies stating: ”I know it’s an increase in price but don’t think people took in the words (festival) obviously more better acts etc I’ll be there.”

Alongside the live events, Manchester Pride will include the famous parade as well as a candlelit vigil and yoga.

New universities minister calls for wider participation and inclusion of the arts

The new Minister of State for Universities, Science, Research and Innovation set out a positive vision of universities working towards a ‘unity of purpose’ in his inaugural speech at the Royal Academy of Dramatic Arts.

Former university lecturer and current MP for Kingswood Chris Skidmore took over the role from Sam Gyimah in early December after Gyimah resigned in the wake of Brexit negotiations.

While Gyimah frequently berated the Universities sector for its “monoculture” of ideas and being “ideological echo chambers”, Mr Skidmore took a more positive view. He praised Gyimah in his valuable work in “enhancing student mental health support”, but went on to offer a very different view of the sector than Gyimah’s.

The speech began by highlighting gaps higher in education access between those from certain areas and ethnicities. He spoke out in support of students with disabilities, and those from backgrounds of care and the military.

Skidmore spoke of his desire to set up a Data Advisory Committee to harness Longitudinal Educational Outcomes data, and ensure it is presented to prospective students in the best way possible.

Despite this focus on data, he offered overwhelming support for the Arts and Humanities.

He stated: “If we are to define value purely in economic terms…we risk overlooking the vital contribution of degrees of social value, such as Nursing or Social care…the Arts, Humanities and Social Sciences- the very disciplines that make our lives worth living”

Skidmore encouraged evolution of Universities in line with technological change and evolving demand for skills. He praised Accelerated Degrees and Degree Apprenticeships  for how they reach a different student demographic and provide vocational skills.

Overall, Skidmore set out a vision for a”student centred approach”, focusing on widening participation at all levels. With £86m going towards participation activities in the Universities sector this year, it his is goal to ensure not just the inclusion of undergraduate students from underrepresented backgrounds, but also mature students and Masters and PhD students. It is towards this educational pluralism that the new minister seems to be aiming.

 

RMT finally suspends Northern strike action

The RMT union has called off strike action on Northern Rail, after being guaranteed a conductor on all trains, including Northern’s new fleet, for the duration of the current franchise.

There have been 47 separate days of industrial action over the issue of guards on trains, causing delays for passengers.

A fierce row between RMT, the union which represents rail workers, and Northern, the train operating company, has gone on for around two years surrounding driver-only operated trains. Rail unions argue that automatic doors alone are not safe and a conductor is also needed on board.

RMT announced a ‘breakthrough’ in the talks after ‘substantial’ progress was made during talks which also involved conciliation service ACAS.

Despite the calling off of industrial action, Northern tweeted that it is “unfortunately too late” to reintroduce a full timetable in time for the 9th of February when more strike action is due to commence.

RMT General Secretary Mick Cash said: “Firstly I want to pay tribute to RMT’s members on Northern Rail whose resilience and determination though two years and 47 days of action has been the foundation on which today’s major breakthrough has been based. They are an absolute credit to both this union and the wider movement.

“I also want to thank the travelling public for their extraordinary support and both Andy Burnham and Steve Rotheram for their efforts that have been important in allowing us to break the deadlock today.

“Today’s offer of a guarantee of a conductor on all services throughout the duration of the franchise, including the new fleet, is the substantial progress we have been pushing for and has allowed RMT’s executive to take the decision to suspend the current action and allow for further talks to now take place with all stakeholders around the operational details.”

Reacting to the news that the RMT have suspended their strike action on Northern, the Mayor of Greater Manchester, Andy Burnham said: “Taking guards off the trains was always going to undermine confidence in our railways.  That is why I have backed the RMT’s call to keep the guard on our trains and I am pleased that this principle has now been accepted by the Department for Transport and Northern.

“Today’s announcement is good news for the public. It will help to keep trains safer and more accessible for everybody. In particular, I want to thank Brendan Barber who mediated between the operator and the RMT, as well as the Minister Andrew Jones, who has taken a constructive approach to this issue since he took office.

“While this is a welcome step forward it is not yet a final agreement.  I hope Brendan Barber can bring the two sides together to reach that soon.  In addition, we now need to see a full service being restored on Sundays so passengers have a full weekend rail service once again.”

Woe-161: Withington named as Manchester’s most burgled area

One of the most popular areas for student homes is facing a burglary epidemic of more than one break-in reported every day, with a record 448 burglaries in 2018 alone.

Analysis by the Manchester Evening News (M.E.N) found that there were a reported 32 burglaries per 1,000 people in the borough, compared to 23 in West Didsbury and 16 in Fallowfield.

A Freedom of Information request by the M.E.N found that, shockingly, 423 of the 448 cases ended with no identified suspect, while just two appeared in court to be charged.

According to Home Office figures, Withington’s 448 burglaries annually represents a 4% increase overall.

Incredibly, the concerning figures do not even fully cover the Withington area. The west of the borough falls under Old Moat, where a further 231 cases were recorded.

The issue appears to be long-term, with 439 burglaries having occurred in Withingon during 2017, meaning close to 1000 break-ins took place across a 24-month period.

The Withington area has become popular with a range of different groups, often misinterpreted as a quieter, and more upmarket Fallowfield.

A number of professionals working in the city, and families have chosen to live in the suburb as a result. Students also choose second and third year houses in borough due to cheaper rent prices.

Yet, it may appear that the most vulnerable demographics are being targeted by some of the most vicious and regular attacks across the city.

A letter penned to the Mayor from residents on one street in West Withington detailed the levels of horrific crime in the area.

”The incidents of thefts are on the increase, with burglaries, car thefts, attempted entry to cars and videoed trespass in the early hours.

”There is an atmosphere of insecurity and fear in the entire avenue, as far as I am aware all concerns have been reported to the police including one by myself however, there is no noticeable increased police presence.

”Only tonight, a resident been mugged on the street whilst walking his dog. This was at 18:45.

”We the residents, have requested an increased police presence and have now had to resort to approaching unknown vehicles at 4.00am and chasing individuals away.”

Such fear-instilling reports are evidence of the rising crime epidemic spreading across the streets that citizens of Greater Manchester call home.

No longer are these incidents restricted to the targeting of students in Fallowfield, or particularly violent suburbs, as criminals seek to take advantage of opportunities wherever possible.

Greater Manchester Police’s (GMP) south district commander Superintendent Dave Pester commented on this trend: ”But it’s clearly not all students. The students have been a target for burglars. What that then does is create a vulnerability for the settled residents.”

The question of exactly how these incidents can be combated is at the forefront of Greater Manchester Police’s (GMP) current efforts.

It has been recently announced that increases in the council tax precept will be used to place 320 new officers on the streets throughout 2019 to 2020.

170 of these will become neighbourhood police officers, working to help the vulnerable in communities such as Withington. The other 150 will be split equally between three teams, that will work independently to tackle local problems, supervise the city’s transport systems, and undertake detective work.

Despite this new recruitment drive, GMP is still being left significantly disadvantaged in its battle against crime in Greater Manchester.

The force would have completed measures to reduce their budget by £215 million come March, and even with new personnel will be operating with 1,469 fewer officers than in 2010.

By 2021, Chief Constable Ian Hopkins expects to have fewer officers than back in 1975.

Withington MP Jeff Smith sympathised with the difficulty of investment in policing falling alongside a spike in break-ins and thefts. Smith said: ”I think the police have the right approach, but because of the numbers they are struggling to keep up. It’s a problem we need to address forcewide and nationwide. Very often it’s an issue of police numbers.”

As a result of GMP struggling to reach and investigate every incident of criminal activity across Greater Manchester, citizens are increasingly looking to other courses of action to assure their protection.

An unnamed second year student commented: ”I think when the police take hours, even days to show up to take fingerprints the break in becomes a bit of a burden to students, especially when they’re almost sure nothing will come out of the investigation.

“When students experience break-ins or muggings they tend to use FSG to warn others and to also get the word out to people to keep an eye out for their missing possessions, something GMP do not have the power to do. The lack of security in south Manchester is pretty bad and I do think it is the job of GMP to sort this out sooner than later as it could possibly detour students from coming back.”

Popular Student community platform Fallowfield Students Group recently saw high levels of engagement with a post that suggested forming a ‘first response group’ of volunteers to help protect students across the borough.

Despite this, GMP warned against the idea, and similar initiatives.

Speaking on behalf of GMP, Chief Inspector Fahar Zaman stressed that whilst the police ”recognise that people are keen to assist in keeping their communities safe”, members of the public also had to respect that the police ”cannot advocate people taking the law into their own hands.”

Zaman further stated that their main priority is “keeping the public safe and we would urge people not to put themselves in unnecessary danger.”

It was therefore argued that Fallowfield residents should “refrain from engaging in any community action groups,” whilst the police worked on a comprehensive proposal.

GMP explained that there were plans to use ”student volunteers alongside our own officers” in order to ”work closer with the community.”

Zaman clarified that the police were happy to work alongside members of the public and that it was in no way ”an indication that the police cannot cope.”

The integration of ”intelligence-led community policing” was an idea of interest to the police, as long as it was subjected to the ”appropriate safeguarding controls.”

The statement also included details of GMP’s current “StudentSafe” operations in the area, detailing that frequent patrols in crime hotspots were already in place. Suspicious behaviour or activity can be reported to a neighbourhood officer, with the police also contactable through the LiveChat function on their website or by dialling 101. Emergency cases can be reported by calling 999.

Greater Manchester MPs oppose no-deal Brexit and back people’s vote

A substantial majority of MPs across Greater Manchester have expressed their opposition to Britain crashing out of the European Union without an agreement on March 29th.

27 MPs from across the region cast their votes on a range of amendments to Theresa May’s statement on her, so-called ‘Brexit Bill’ on the 29th January in parliament.

The vote had no binding qualities, and functioned merely to gauge the House’s opinion of appropriate next steps following the Prime Minister’s proposed deal suffering defeat by 432 to 202 votes in the Commons on January 15th.

A written statement delivered by May announced the scrapping of the £65 fee for EU nationals seeking settled status in the UK, the strongest possible protection on workers’ rights, and a commitment to reaching a deal on the border in Northern Ireland that was supported by the Parliament and the EU alike.

The Conservative leader also stressed her endorsement of a cross-party discourse on Brexit policy and the negotiation of a UK-EU trade deal.

Following these announcements, seven amendments to the statement were proposed and voted on by MPs.

Out of the seven just two of these amendments received the backing of Parliament: the Spelman amendment to commit to ruling out a no-deal exit, and 1922 committee chief Graham Brady’s proposal to remove the ‘backstop’ mechanism, with an unconfirmed alternative that would seek the synonymous avoidance of a hard border, and departure from the Customs Union.

Across Greater Manchester, MPs wholeheartedly backed Spelman’s proposition, with 22 voting in favour of it.

Meanwhile, Brady’s renewed attempt at addressing controversies over the backstop was supported by just 6 members from across the region, four of whom were Conservatives, with the governing party pressured into supporting their backbencher’s suggestion.

Two Labour figures, Shadow Justice Minister Yasmin Qureshi, and Eurosceptic Graham Stringer backed the amendment.

With 22 Labour MPs out of the 27 across the area, the party’s frontbench, so-called ‘Labour’ amendment, called for re-negotiation with the European Union, and a public vote on the exit process, which entertained the support of 20 of the region’s MPs.

They also gave their backing to interventions from Rachel Reeves and Yvette Cooper, both at an 18-9 margin, that called for an extension of Article 50, and handing power to the backbenches, respectively.

Corbyn’s assault on the Conservative Government’s Brexit plans were frustrated by a narrow, albeit decisive defeat, by a 327-296 margin, with the Reeves and Cooper amendments also failing to pass.

The Mancunion recently broke a story detailing the potentially-detrimental effects of a No Deal Brexit on the University.

The tension between the will of the parliament and MPs in the Manchester area was clear-cut, as substantial majorities in the region voted in favour of handing power back to the public in deciding the final terms for a March departure, a consultation that is now surely off the cards after the defeat of the Labour amendment.

Legislating to extend Article 50 now appears to be impossible, with the will of Mancunians, as voiced by their representatives, again seemingly frustrated.

The city region voted to Remain by over 60% back in 2016, although there were similarly-commanding majorities for Leave in local authority areas including Tameside, Bolton, and Rochdale.

 

Feature: Is it time to say ‘thank u, next’ to Ariana Grande?

With thank u, next, Ariana Grande’s second album in six months on its way, it’s time to review the three singles released. So far, the triple-track-threat has racked up early 700 million streams on Spotify between them all, with latest single ‘7 rings’ breaking streaming records for the most streams in one week (snatching it from Mariah Carey’s ‘All I Want For Christmas is You’).

It’s important not to forget just how incredible it is that Grande is still releasing and touring – the 2017 Manchester terror attack at her concert happened just over a year and a half ago. A source of major trauma, Grande’s bravery in overcoming the fear she must associate with her own music must not be forgotten. Following the loss of ex-boyfriend Mac Miller in September and the public breakup with Pete Davidson, nobody would have blamed her if she had decided to take some time out. Similarly, Grande is still incredibly young – at only 25 she holds three American Music Awards and six Grammy nominations as well as a net worth of an estimated $50 million. However, like most artists, she is still met by criticism. ‘7 rings’ has been met with accusations of plagiarism by Soulja Boy and 2 Chainz as well as more underground artist Princess Nokia.

The first release, ‘thank u, next’ went viral almost instantly. For days, our timelines were flooded by references to the now iconic song. The self-empowering, synth-driven ballad was a testimony to Ariana Grande’s ability to create catchy tracks destined for chart success. The breathy vocals combine with the repetition of “thank u, next” that feels sugary sweet is impossible not to like. It’s a pop track, driven by her own personal strength and the power of being a girl in the world who loves herself – more than anyone else.

Reminding me distinctly of BANKS’ ‘Fuck With Myself’ and Lorde’s ‘Liability’ there appears to be a rise in the music industry of women finally, beautifully, putting themselves before men. People fond of criticising Grande often use her success against her – generic chart drivel, overrated, sickly sweet. But Grande is producing track after track of successful hits – and there’s a reason for it. Those who adore hating popular music hate Ariana Grande, but to do so is an irritating habit and should not be treated as a personality trait.

The success of ‘thank u, next’ was followed by the R&B ballad ‘imagine’. With a rhythm clearly deriving from trap, Grande produces a mellow, vocally excellent track. Heart-wrenchingly familiar in its depiction of desiring an unrequited relationship, Grande treats us to the oh-so-relatable line “love how my face fits so good in your neck why can’t you imagine a world like that?”. It is hard, sometimes, to imagine Grande being criticised when her writing is not only relatable, but also beautiful. I can’t help but wonder if a lot of it is due to her success as a young woman in the music industry – people don’t expect her wisdom, her success, her money, or her confidence. There is a determination to knock women off pedestals once they have topped them, and Grande unfortunately does not seem like an exception.

Most recent single, and most controversial, is the recent ‘7 rings’. Opening with a Sound of Music-style riff, Grande indulges us with a tribute to retail therapy. Once again, Grande reminds us of female power with the mentions of female friendship over male relationships. The success of the latest song dives into experimentation with rap, featuring Grande flexing her millions. But the song is not without criticism.

The comparison to Princess Nokia, a relatively unknown artist, is undeniable and unfortunate. Similarly, the allegations of theft from 2 Chainz and Soulja Boy is also a source of grating irritation. It leads to discourse over how genuine Grande really is, causing debate over her honest image. But the song is still astoundingly good, incredibly catchy and shows a thrilling musical development from Grande with her venture into rap.

The three releases have been excellent, and in regards to what’s left to come, I can only say thank you for these records, bring on the next.

Live Review: Don Broco

Don Broco have a vast tour ahead of them and if their opening night at Victoria Warehouse is anything to go by, fans have plenty to look forward to.

At least initially.

As we stood in the darkness of the lush, atmospheric warehouse, the circular visual backdrop seemed to resemble the ripples of a cool blue swimming pool as the echoing synths of stand-out track ‘Come out to LA’ travelled around the room, delighting the crowd. Within seconds, lead vocalist Rob Damiani burst onto the stage with a rivalling presence as the band bounced off each other’s energy, straight into follow-up track ‘Pretty’. After the outstanding success of their 2018 release Technology, I was surprised to hear these songs together so early in the set.

As the show progressed, it was a shame to see that many of the hits fell into a foggy mid-set disarray. Amongst the pop-infused tracks of Automatic, the crowd appeared to be left less than impressed, listening but stood almost still for many of these tracks. At another gig, this might have not been quite so jarring but when a band has the ability to whip up an audience into a frenzy at other moments, it becomes evident that the setlist doesn’t quite align with their creative vision as a whole.

The introduction of the cowboy character at random intervals throughout the show was a bizarre but ultimately hilarious feature of the show. I still have absolutely no idea how this character really ties in with their current album, except to perhaps create an overemphasised nod to their Americana style on their recent singles such as ‘Everybody’. However, this could very well describe the Don Broco experience as a whole; bounding from track to track with ferocious energy and a cheeky desire to harness the power of the silly and satirical.

A welcome addition to the set came in the form of Thug Workout which turns ten this year and still remains a popular fan favourite that guarantees an excitable reaction from the crowd. Despite the state of the floor during the pits, it was quite the spectacle to see so many men doing press-ups in the middle of a pit. It just proved that the long-standing fans of the band are still around and just as invested as the band themselves!

The setting of Victoria Warehouse has immense potential which the band really used to their advantage to create a really fun and atmospheric gig, full of giddy energy that radiated throughout the space. However, their visual choices were a little confusing overall, leading to a strange mix between the suburbs of Bedford and a satirically imagined Americana.

Whilst undeniably fun and wild, it would be impressive to see a cohesive and engaging setlist that maintains the energy that this band has the capacity to produce, using the hit tracks from the hugely popular Technology to really guide their shows.

6/10.

Three Peaks Challenge

In June 2019, Manchester Raise and Give (RAG) is collaborating with Choose a Challenge and The Children’s Society to take on the Three Peaks Challenge. Manchester RAG will connect with other universities and together the students will conquer one of Britain’s toughest challenges. It is a whirlwind adventure of climbing the three highest mountains in the UK.

The excursion involves trekking 25 miles, climbing over 1,500 metres, and running on as little energy as four hours sleep. Conquering the three mountains back-to-back; the group begins with Ben Nevis in Scotland. It is the highest mountain in the British Isles, standing at 1,345 metres above sea level. The second mountain is Scafell Pike in the picturesque Lake District. Finally, the group finishes with Snowdon in Wales.

Scafell Pike is the smallest of the Three Peaks but it is still a great challenge, having the steepest and toughest terrain. The group will hike Scafell during the early hours of the morning. Trekking in the dark with a head torch will elevate the difficulty of navigating the paths and boulders. However, efforts will be rewarded with the magical sight of sunrise over the Lake District as the group begins the descent.

It is certain that feelings of exhaustion will be evident by this stage. You will complete two out of the three peaks at the halfway time mark. And then a pint at the summit pub of Snowdon will be deserved on completing the final hike!

The Three Peaks is not for the faint-hearted and training is essential beforehand. It is unrealistic to expect to complete the challenge without some adequate training. Therefore, I recommend you try a test weekend of walking around eight hours per day for two days. Anyone can get involved in the challenge, but must be prepared to undertake a trip that is undoubtedly mentally and physically exhausting but is also extremely fulfilling.

The University’s partner charity for the challenge is The Children’s Society. The organisation does vital work in improving the lives of vulnerable children and young people across the UK. This year, the fundraising target of £600 will go a long way towards the charity’s attempts in helping children across Britain. Their work involves supporting victims of sexual and criminal exploitation, trafficking; supporting young carers, refugees and migrants; providing children with access to mental health care; ending child poverty.

Although the fundraising target seems daunting, The Children’s Society offers step-by-step support and guidance to their student fundraisers as they embark on their first challenge of raising the money. The fundraising will make a positive impact on the lives of young people. But the hike itself will push personal boundaries and create unforgettable memories in the UK’s most beautiful scenery.

Third-year History Student, Piers Hinton, is Manchester RAG’s challenge leader for the Three Peaks. His role involves several key responsibilities from supporting the team with fundraising targets. In addition, he liaises with the challenge provider and charity representative, as well as overseeing the smooth-running of the process.

Climbing, connecting, fundraising.  Is 2019 your year to take on The Three Peaks Challenge?

There’s still time to get involved in the challenge. You can find out more information on the Manchester RAG Facebook page. So, send a message and the team will be more than happy to help. There will be an information drop-in session on Friday 15th February from 1-3pm in the Hive in the Students’ Union, come along to find out more!

Fresh guidelines on free speech at Universities published

A new 53-page guideline has been published by the Equality and Human Rights Commission in collaboration with leading organisations across several sectors regarding how free speech should be promoted by universities.

The topic has come in to focus due to a number of incidences where certain individuals were banned from attending and speaking at universities.

In 2017, the online political magazine Spiked ranked universities in order of how far they restrict free speech. The University of Manchester was awarded an amber rating whilst the Students’ Union was assigned red due to a higher rate of banning speakers, such as the radical feminist Julie Bindel in 2015.

The Joint Committee on Human Rights held an inquiry in to restrictions on free speech in higher education and found that although it wasn’t a wide-spread issue, there are definite concerns over self-censorship by students.

The guidelines are based on a series of core principles that everyone has the right for free speech in order to encourage debate.

The document states that this is particularly important at universities, in order for students to learn to think critically and challenge negative viewpoints to get rid of intolerant views. Decisions about events and speakers on campus should promote free speech and protests shouldn’t be used to shutdown emotive discussions.

David Isaac, Chair of the Equality and Human Rights Commission defended values of free speech on campuses: “the free expression and exchange of different views without persecution or interference goes straight to the heart of our democracy and is a vital part of higher education. Holding open, challenging debates rather than silencing the views of those we don’t agree with helps to build tolerance and address prejudice and discrimination.”

Universities must obey laws to uphold free speech by working with student unions which are not under the same legal obligations. This is particularly important regarding “safe spaces” and “no-platforming” which have the potential to restrict unpopular, but legal viewpoints.

The document also emphasises that free speech does not apply to views which promote discrimination, hatred or harassment as they are considered to be criminal.

This is the first time that the legal rights surrounding free speech have been defined in the hope of empowering universities, unions and students to stand up for free speech, which the document states is an essential component of a democratic society.

Private money in space

A mere 20 years ago, space travel could only be afforded by the wealthiest of states. Recently, however, private companies have reduced the price of launches and have made it possible for an average person to be capable of taking part in a launch.

Private companies like Rocket Lab have invested in the launching of satellites into space, offering the service on their websites, and launching approximately 52 times per year. Rockets can be launched from places like India, Canada, Kazakhstan, and a single launch could cost around $300,000 only. Some rockets have satellites of the size of buses, some the size of fridges, and some the size of a Rubik’s cube.

Most of the rocket design consists of engine, fuel, and a top that consists of the payload (i.e. the satellites). The nose uncovers in space and the satellites are ejected into orbit, where they’ll eventually be used to support people’s growing demand for faster and more efficient communication and geo-location systems. The goal of RocketLab is to build rockets that cater specifically to the small and varied satellites.

Research projects have also been integrated into private enterprise as well. CubeSat, a miniaturised satellite developed by Professor Robert Twiggs, is now being produced on mass-scale by Planet, a private company in San Francisco. CubeSat now only costs $10,000 (less than 1% of the original cost). Planet has also revolutionised the applications of CubeSat — people use it to take hundreds of pictures of Earth instead of taking a single picture every six months using a larger satellite. These CubeSats take pictures from North to South Pole every 90 minutes and completes a picture every 24 hours. The metal casing of the CubeSat consists of a camera with a ‘giant’ lens, an antenna to transmit the images to earth, and gizmos to turn the satellite in the required direction. The entire thing can be assembled in just four hours. Professor Twiggs now offers guidance to his students on how to start their own aero-space company, encouraging them to become pioneers of the satellite industry.

Countries like China and India, realising the potential of space travel, have made huge investments in the satellite industry. China is the first country to land a robot spacecraft on the Moon after just 15 years of a Chinese astronaut landing on the Moon. Though space travel has significant military implications, it also has the huge potential of profits due to booming of the space industry. Professor Ouyang Ziyuan, one of the China’s leading scientists said: “Lunar exploration is a reflection of a country’s comprehensive national power. It is significant for raising our international prestige and increasing our people’s cohesion.” Professor Ouyang also said that it is important to know about the Moon and the neighbouring planets, as it could lead to discovery of more resources, significant due to the scarce minerals on Earth.

Expanding private company interests into space may help bring down costs, such that future space exploration and industry are more feasible.

Live Review: Allusinlove

The last year has been very much under the radar for the Yorkshire-based four-piece, Allusinlove. The loss of a band mate and some well-told horror stories from their last tour seem to drive their newfound motivation to succeed as I chat to them backstage before their opening night at Manchester’s basement venue, Jimmy’s.

Paired with a name-change, arguably a new look, and a slight distancing from their heavier metal roots, Allusinlove are approaching the new year with a new attitude to their music. It was a self-described “natural ending”, they explain. After an “unproductive, stagnant tour”, they decided to take a break, re-evaluate and  begin to focus on financial stability as well as good writing. Although they would consider themselves a new band, there are familiar tones, and their obvious work ethic comes across in conversation. They’re optimistic for the future too, with big plans to head to Europe and some big stages over the festival season.

They’re building on a strong foundation; Allusondrugs (their previous moniker) were known for their strong, devoted fan base, wild nights out and energy-fuelled performances. Features in Kerrang! and flattering live reviews were commonplace. But it feels very much like they’re straying into a new scene with their new work, and it’ll be fascinating to see how they take to it.

Their choice of support bands feels initially unconvincing. Opening the night to a practically bare room is Carry the Crown, an unsigned Lincoln-based five-piece that I’m assured has been receiving a decent amount of radio time; it feels like a rip-off of noughties college rock, but massively overproduced, ruining some impressive harmonies, and far from the normal gritty talent featured in smaller venues in the Northern Quarter. Their sound live felt forced, their tracks overproduced and desperately out of place. Their potential is evident, but their new single felt painful live as they desperately fought with the crowd to get involved. As their encouragement strayed into exasperation, it felt like being scalded by a teacher for not participating in another exciting new idea to make us interested in their latest class plan.

Sly Antics have a reputation for being great live, and they didn’t fail to deliver as second supports. The up and coming two-piece have been labelled as ones to watch, and this definitely came across. Controlled but perfectly erratic guitar riffs are paired with strong vocals and form catchy, well-written tracks that warmed up the crowd within a few bars. Their new single ‘Reality’ is impressive; it’s driven, ballsy and sets the bar high for the genre with empowered, coherent vocals which highlight excellent song-writing.

Headliners Allusinlove display their metal roots on their sleeve, which isn’t necessarily a bad thing, and their on-stage charisma seems to stem from experience playing to crowds. Their recorded tracks have serious potential, but this seemed to be lost in their live performance, with their vocals frequently getting lost amongst driven guitar riffs and a driving beat. Popular song ‘Bad Girls’ seemed to lose vocals at times entirely, and their excellent stage presence occasionally strayed into feeling forced.

They’ve moved semi-successfully into noughties college rock, and I want to like it desperately; their tracks are catchy and well-written, but a little piece of me feels guilty, like it’s almost too cliche that a good-looking four-piece of bad-boys are singing about sex and I’m enjoying listening to it. Nevertheless, it can’t be denied that they do it well, their tracks come across effortless and natural and the crowd seem convinced. Track ‘It’s Okay to Talk’ feels more soulful and controlled; there’s a level of maturity that is more evident when you speak to them in person, and which tries to break through in this track – here’s to hoping that this is a glimpse into future releases.

Other stand out songs include ‘Lover I Need a Friend’ and ‘All Good People’, that are well worth a listen, although the latter has so much more potential to sound incredible onstage. This is a band who take themselves seriously, but not necessarily with what they’ve been doing. And I really hope that changes with this tour, because something inside me does want them to push through those teething issues and really succeed.

7/10.

Government plans aim to crack down on ethnic disparity in universities

Universities could lose their positions on league tables if they refuse to do more to tackle ethnic disparity.

New plans announced by the government seek to ‘drive change in tackling inequalities’ between ethnic groups in higher education and put pressure on universities to do more.

According to the plans, universities will now be held to account on the extent to which they help to improve outcomes for underrepresented students. The measures are part of a cross-government effort to encourage universities to “explain or change” their ethnic disparities.

Universities will now have to publish data broken down by ethnicity, gender and socio-economic background. The government hopes this will “shine a spotlight” on those making good progress and those lagging behind.

The effort to reduce ethnic disparities also includes that in research and innovation funding. The UK reportedly only has one black, female, history professor. Universities will be encouraged to address racial disparities in their workforce, figures show only 2% of academic staff in higher education are black.

According to the University of Manchester’s Equality Information Report from 2018, 16% of the university’s staff are from black and minority ethnic backgrounds and women make up 48% of its workforce.

The higher education regulator, The Office for Students, will scrutinise the ‘Access and Participation’ plans of UK universities and will use their powers to challenge the institutions falling behind. The Office for Students also plans to develop a new website to replace Unistats, which will take the needs of disadvantaged students into account.

Figures from the Race Disparity Unit show that despite a record number of ethnic minorities attending universities, only 56% of black students achieved a First or 2:1 in the 2016/17 academic year compared to 80% of their white peers. White British low-income males remain the least likely to attend higher education.

Universities Minister Chris Skidmore said: “universities need to reflect modern Britain and ensure that everyone who has the potential, no matter their background or where they are from can thrive at university. I fully expect access and participation plans, which universities will be drawing up this year for implementation in 2020-21, to contain ambitious and significant actions to make sure we are seeing material progress in this space in the next few years.

“It is one of my key priorities as the Universities Minister to ensure that I work with universities to highlight examples of best practice in widening not only access but also we redouble our efforts to tackle student dropout rates. It cannot be right that ethnic minority students are disproportionately dropping out of university and I want to do more to focus on student experience to help ethnic minority students succeed at university.”

The Mancunion has approached Manchester SU’s Liberation & Access officer Sara Khan for a comment.

Greater Manchester rallies calls to combat Hate Crime

Manchester City Council has made the call for people to stand together against hatred and prejudice during Hate Crime Awareness Week.

Hate Crime Awareness Week was launched on Monday 4th February, and ran until Sunday 10th. More than 100 events took place across Greater Manchester to encourage people to learn more about hate crime, and how to tackle it.

Hate crimes strike at the core of a person’s identity. Hostile acts involve but are not limited to: violent or verbal abuse, spitting, harassment, and damage to property, for reasons such as race, faith, sexual orientation, or disability.

Manchester City Council declared: “It is unacceptable in 2019 that such crimes can still take place.” In a pledge to ensure that Manchester is a city of acceptance, the council is taking extra measures to root out perpetrators of hate crime.

Yet despite progress made by the authorities over the past few decades, there is still room for improvement. Hate crime cannot be tackled by the police services alone, which is why the council are asking communities to avoid turning a blind eye if someone is a victim of a hate crime.

Jamie Whittaker, 38, from Levenshulme, was a victim of a homophobic assault that took place two weeks ago. Enjoying a night out in Albert’s Schloss, he was verbally and physically attacked when leaving the venue. Whittaker’s assault is a prime example of hate crime that takes place across the city of Manchester.

In an attempt to reduce the number of hate crimes, such as that against Mr. Whittaker, the council are calling on the citizens of Manchester to make the ‘Greater Manchester Promise’. They are asking Mancunians to support anyone who is abused, challenge their abuser (if it is safe to do so), and report any crimes witnessed.

Bev Hughes, the Deputy Mayor for Policing and Crime, referenced the fractures that could be caused in communities as a result of Brexit: “The Mancunian spirit is more important than ever. We must stand together as one, and show hate won’t be tolerated in our region.”

Nigel Murphy, the Deputy leader of Manchester City Council, issued a statement ahead of Hate Crime Awareness Week. He said: “It fills me with pride to know that Manchester is a city which embraces people of all walks of life, no matter their religion, skin colour, where they are from or who they wish to love.”

Murphy has faith that the Mancunian solidarity and spirit will shine once again when joining forces to support, challenge, and report in an ongoing fight to rid the city of hate crime.

Reporting hate crime is easy. You can do it online here, call the police on 101 or, at one of dozens of independent reporting centres across Greater Manchester.

Live Review: Massive Attack

In celebration of 21 years since the release of Mezzanine, the band’s best selling and most critically acclaimed album, Massive Attack have taken to Europe and North America to perform a reimagined version of the LP dubbed Mezzanine XXI. Having been present in Shinjuku, Tokyo for the original Mezzanine tour in 1998 (albeit in utero), I was more than excited to be able to witness Massive Attack’s reimagined third album at Manchester Arena.

With founding member Robert Del Naja (known by his stage name as 3D) describing the tour as “a one off piece of work; our own personalised nostalgia nightmare head trip”, as well as all of the original guest vocalists (reggae superstar Horace Andy and Elizabeth Fraser, the voice behind the band’s famed ‘Teardrop’) on board, it is undeniable that Massive Attack have marketed this tour as prestigious, original, and innovative; but does it live up to the hype?

What surprised me when the band took to the stage was their opening track: a cover of The Velvet Underground’s ‘I Found a Reason’. This tribute was one of several that were interwoven into the setlist, which included The Cure’s ‘10:15 Saturday Night’ and Andy’s own ‘Seen a Man’s Face’. Whilst I personally enjoyed these covers for what they were, as the originals all appeared in the album as samples, I did find that they took away from the overall feel of Mezzanine, as they deviated sonically from the album’s chilling ambience. This is not to say that these covers were not of high quality – their place made sense contextually, and they certainly did not detract from the magic of the rest of the set.

Lead single ‘Risingson’ followed after ‘I Found a Reason’, with its reverb-laden synths and a rap duet between 3D and Grantley Marshall (Daddy G) proving to be simultaneously groovy and hair-raising. Other atmospheric numbers included ‘Black Milk’ and ‘Dissolved Girl’, with the former not being played since 2007 and the latter since 1997. The band also reworked tracks such as ‘Dissolved Girl’, the eponymous ‘Mezzanine’, and ‘Angel’ to have hard rock outros that featured heavy distortion and wah on the guitars; these additions augmented the sinister atmosphere of the songs and added further nuance to the already complex compositions.

The highlight of the performance was the final two tracks: ‘Teardrop’, and ‘Group Four’. Fraser’s vocals on these songs was beautiful, with her performance of the emotional and iconic ‘Teardrop’ goosebump-inducing. This was a moment of calm and clarity before the ever-building, intense climax of ‘Group Four’. Lo-fi pianos and drums accompanied 3D and Fraser’s duet, before developing into an explosion of fast, chugging guitars that droned on until slowly dropping off masterfully: the most simultaneously gorgeous and heaviest conclusion to a set I may have ever witnessed.

Visually, the band flirted with slogans such as ‘the past filled our vision’ and ‘if you liked that then you will love this’. With footage addressing the opioid crisis in America, as well as doing face swaps of Donald Trump over various celebrities, Massive Attack evidently sought to modernise and re-contextualise Mezzanine into the present day. These endeavours were fruitful, constructing a performance that was even more thought-provoking than the original album.

Massive Attack have proved that Mezzanine is still relevant today, both in its newfound political message and in its place in music history as an original album that defies genre categorisation. Whilst the covers were slightly jarring, they still celebrated the power and prestige of Mezzanine, and the band’s performance and reworking of the songs proved their nuances: a truly haunting and atmospheric tribute to an already paranoid-ridden album.

8/10.

Don’t Cramp My Style: breaking the silence of period poverty

Freya Slack, is the creator of Don’t Cramp My Style, a Manchester-based arts platform tackling the taboo of periods and the issues those who have periods face. Don’t Cramp My Style’s first event on the 22nd January was raising money The Red Box Charity, Manchester.

When asked about the beginnings of Don’t Cramp My Style, Freya told me about spotting a magazine a few years ago whilst on a train, the front cover featuring articles on period poverty. Freya explained that she had “never thought” of period poverty before and did not know it existed. Freya still has that magazine and has read it “again and again”.

Freya explained that she ruminated over the issues she’d learnt about around period poverty. As an artist, she felt a need to respond to the issue and go beyond words. At the time, as an Interactive Arts student at MMU, Freya just began embroidery and created art inspired by period poverty and breaking the taboo. This along with events such as the Bodyform advert ‘Blood Normal’ – which was the first to show ‘blood’ in the sanitary product advert (as opposed to the ‘traditional’ blue liquid) – accumulated in Freya’s interest in raising awareness for period poverty.

However, it wasn’t until recently, in her third year of her degree, that Freya confirmed that she wants to “go into inclusive education” and period poverty was the place to start.

“If we’re not teaching mental health then let’s start in public bathrooms” – and Freya is true to her word, putting booklets with information on periods in pockets on the back of toilet doors, opening the conversation up to discuss and support those who experience periods.

Freya explained that she didn’t intend her work to be political but her anger about the invisibility of period poverty ad efforts to change this meant it “did become political” and she has since embraced this.

Don’t Cramp My Style the event went from a single Facebook post, to 30 replies in a matter of minutes. Freya explained her practical incredulity at the reach of that single post, with it being shared to the point that performers/artists from beyond Manchester were in contact seeking to get involved. Freya explained that the multitude of responses “made [her] realise…there are no platforms” to tackle period poverty. Instagram comments and posts with #periodpoverty only goes so far, “a face to face platform is needed” for people to have conversations and express themselves.

Freya explained that the name, Don’t Cramp My Style, came from need for a fun name to sit alongside so many other great names for organisations in this area alone – like Bloody Good Period. I asked Freya why she felt art of all different kinds was the best medium to express these issues and break the stigmas around conversations about periods. Freya replied “when I think of art, I think of art therapy… art is its own language”, creating art of all forms is a kind of therapy to accept there are problems and begin to solve them.

Don’t Cramp My Style’s first event has already taken place and to great success. The event, held at The Peer Hat, includes beautiful artwork, “grotesque burlesque”, spoken word and more, raising £300 for Red Box to buy all manner of sanitary products, underwear and toiletries. I wanted to know what Freya envisioned for the event. She explained that she wanted a variety of different people and different perspectives because this is how we educate people. The goal of the show was the different pieces would speak to and connect with different people in different ways.

Freya was determined to be representative and diverse in the event. This included trans artists and a male performance about period sex, all helping to normalising how periods stand in society, such as in relationships. Freya’s simple comment: “If you date me, then you date my period”.

Freya has acknowledged that there is further to go with the next event; she particularly wants the next venue to be more accessible, opening up the conversation around periods and disability, as well as issues and infections caused by unmanaged periods in cases of Female Genital Mutilation (FGM).

Speaking matter-of-factly, Freya recognised that “baby steps” are needed in this area. She identified the start being all those who qualify for free school meals, should receive free sanitary product, ultimately leading to free sanitary products as accessible as condoms are today.

This is clearly just the beginning of Don’t Cramp My Style and the work being done to bring period conversations out of the shadows.