MANIFF 2020: Before the Fire
Although Charlie Buhler’s pandemic-based Before the Fire may seem perfectly timed, it fails to recreate even a bad apocalypse film, writes Michal Wasilewski.

As our world is currently struggling with a health crisis, a film about a global pandemic may have seemed perfectly timed. However, despite a pandemic being the starting point of Charlie Buhler’s Before the Fire, it is not followed up in any meaningful way and is ultimately left unexplored.
Ava (Jenna Lyng Adams) and her boyfriend, Kelly (Jackson Davis) live in Los Angeles when the outbreak of a deadly virus forces them to escape. They both come from the same rural town, but, after being tricked by her boyfriend as he leaves to seek work in Atlanta, only Ava returns.
As soon as Ava arrives at her hometown, we are thrown into a complicated network of relations. She stays with Kelly’s mom and is on bad terms with her mother, but we never get an explanation of what happened between them. There is also a man haunting Ava into coming back to her family, but the screenwriters did not care enough to explain the connection between the characters.
Before the Fire goes off the rails early into the story, engulfed by its own miserable efforts to recreate a bad apocalypse film. There is no sense of the apocalypse itself and the film’s two-dimensional stock characters are not enough to make the viewer care. Even if you somehow enjoyed following the chaotic story, its unedifying ending will certainly be the last straw.
2/5.
Michal Wasilewski
More Coverage
An intro to the Manchester film scene
If you’re interested in film or a student looking for the cheapest place to see the latest blockbuster, Film Editor Sophie Potton has you covered
The Last House review: Netflix’s briny flashback to 2020 is five years too late
Sea beasts and silly attempts at a high concept leave The Last House feeling like a messy, overdue dud that misunderstands its own strength
Tony (2026) review: Kitchen chaos, teen angst, and the Cape Cod sea breeze in A24’s heartfelt Anthony Bourdain biopic
“If you’re fond of sand dunes and salty air / Quaint little villages here and there […] If you like the taste of a lobster stew / Served by a window with an ocean view / You’re sure to fall in love with old Cape Cod” – Patti Page, ‘Old Cape Cod’
The End of Oak Street review: A rip-roaring summer throwback
David Robert Mitchell’s The End of Oak Street leaves a bright footprint on the decaying island of dinosaur flicks.







