Dylan Kerlann

Nuclear war is nowadays a rarity in cinema, as it was a more prevalent threat during the Cold War. It does, however, offer great possibilities in drama and sci-fi

Bone Tomahawk is a fantastically well shot and acted film, but fails to deliver on its attempts at horror

The French film industry finds itself in a constant struggle between crowd-pleasing public films and more daring independent films

Dylan Kerlann wants more films to make us think about real world issues