From pub crawls to Freshers' events, drinking can feel unavoidable, and sobriety can feel isolating. Here's how to miss out on the hangovers, not the fun
Alica MacDonald's 'Finding Emily' provides an inventive spin on the rom-com for a modern audience thanks to a strong sense of place – and UoM's campus
Insidious is back with nothing further to say, leaving in the wake of the Lamberts a 'fresh' start only aiming to parrot its ghastly blueprint
Don’t miss the chance to get involved with this year’s Manchester Lift-Off Film Festival!
The International Lift-Off Film Festival is coming back to Manchester at the end of the month to showcase high quality independent film
The story behind the ever-growing global independent film network, Lift-Off
“35 dollars for a salmon. You get the salmon to blow you for that price?”
Simon Curtis plays it safe with this A.A. Milne biopic
Jungle Fever is as powerful as it was 26 years ago
Patrick Hughes reaches the low expectations we had for his film and keeps falling
From student editor to film journalist for Empire, Neville Pierce is quite the chameleon
Eloise Wright shares her thoughts on the French stop motion
Eloïse Wright interviews Selim Azzazi
Where The Windmills Are was the third and final feature film shown at the Lift-Off film festival in March 2017, and was very popular amongst the audience at Texture in Manchester’s Northern Quarter
Eloïse Wright covers The Last Laugh, The Track, Faustine, The Wolves Beyond the Timber and Retriever from the Manchester Lift-Off Film Festival
Eloïse Wright covers five of the short films from the second day of the Manchester Lift-Off Festival
Eloïse Wright covers five of the the shorts from day 3 of the Manchester Lift-Off Festival
A sensitive but profound look at the horrific real-life Moors Murderers
An overnight sensation 30 years in the making
Eloïse Wright reflects on the 2017 Sundance Film Festival
Eloïse Wright revisits Lynch’s classic
The Birth of a Nation is a powerful film about important issues
Bleed for This is the captivating biopic Miles Teller needed to engrave his name in the hallmarks of cinema recognition
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