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Eloïse Wright

Eloïse Wright

Calling all film students, cinephiles and critics – Manchester Lift-Off Film Festival 2018

Calling all film students, cinephiles and critics – Manchester Lift-Off Film Festival 2018

Don’t miss the chance to get involved with this year’s Manchester Lift-Off Film Festival!
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Manchester Lift-Off Film Festival 2018

Manchester Lift-Off Film Festival 2018

The International Lift-Off Film Festival is coming back to Manchester at the end of the month to showcase high quality independent film
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The Lift-Off Global Network story

The Lift-Off Global Network story

The story behind the ever-growing global independent film network, Lift-Off
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Review: The Meyerowitz Stories (New and Selected)

“35 dollars for a salmon. You get the salmon to blow you for that price?”
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Review: Goodbye Christopher Robin

Simon Curtis plays it safe with this A.A. Milne biopic
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Re-appraisal: Jungle Fever

Jungle Fever is as powerful as it was 26 years ago
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Review: The Hitman’s Bodyguard

Patrick Hughes reaches the low expectations we had for his film and keeps falling
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In conversation with Neville Pierce

From student editor to film journalist for Empire, Neville Pierce is quite the chameleon
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Review: My Life as a Courgette

Eloise Wright shares her thoughts on the French stop motion
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Interview: Enemies Within

Eloïse Wright interviews Selim Azzazi
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Manchester Lift-Off Film Festival 2017- Day 1 Shorts, Part 2

Eloïse Wright covers The Last Laugh, The Track, Faustine, The Wolves Beyond the Timber and Retriever from the Manchester Lift-Off Film Festival
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Manchester Lift-Off Film Festival 2017- Day 2 Shorts, Part 2

Eloïse Wright covers five of the short films from the second day of the Manchester Lift-Off Festival
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Manchester Lift-Off Film Festival 2017- Day 3 Shorts Part 2

Eloïse Wright covers five of the the shorts from day 3 of the Manchester Lift-Off Festival
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Lift-Off film festival 2017 review: Where The Windmills Are

Where The Windmills Are was the third and final feature film shown at the Lift-Off film festival in March 2017, and was very popular amongst the audience at Texture in Manchester’s Northern Quarter
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Review: See No Evil — The Moors Murders

A sensitive but profound look at the horrific real-life Moors Murderers
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Review: The Founder

An overnight sensation 30 years in the making
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Sundance Film Festival 2017 highlights

Eloïse Wright reflects on the 2017 Sundance Film Festival
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Revisiting: Blue Velvet

Eloïse Wright revisits Lynch’s classic
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Review: The Birth of a Nation

The Birth of a Nation is a powerful film about important issues
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Review: Bleed For This

Bleed for This is the captivating biopic Miles Teller needed to engrave his name in the hallmarks of cinema recognition
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