Anuli Changa gets whisked off to Disneyland with the Musical Theatre Society’s first revue at the Anchor Café

Martha Pryer reviews Holes, by Tom Basden. Part of the UMDS Autumn Season 2017

Jade Fox attends the Bruntwood Prize Ceremony 2017 at the Royal Exchange Theatre

Saira Baksh introduces us to the Women’s Theatre Society at the University of Manchester

Jade Fox reviews Jackie Hagan’s ‘amputee comedy’ — part of Contact’s Flying Solo Festival 2017

Will Vincent reviews Le Gateau Chocolat’s family friendly retelling of The Ugly Duckling

This modern Hedda Gabler was sparse, shocking, and posed many questions about power

ISOM hosted a Diwali Mela at the Manchester Academy, capturing the magic of the festival

Theatre Editor Sophie Graci talks to Ian Hislop and Nick Newman ahead of the opening of The Wipers Times at The Opera House

Georgia Carney reviews We Are Ian, part of Orbit 2017

Anuli Changa reviews Days of Wine and Roses at 53Two Theatre

Izzy Lewis reviews How To Win Against History, the final performance in HOME’s Orbit Festival 2017

Bourgeois & Maurice’s flamboyant neo-cabaret takes over HOME as part of Orbit 2017

A caravan plays host to an exploration of social mobility in 21st century Britain as part of Orbit 2017

Theatre Editor Sophie Graci chats to the company behind Edinburgh Fringe hit We Are Ian, now part of HOME’s Orbit Festival 2017

Orla Quilligan reviews Javaad Alipoor’s exploration of what it is to be a young Muslim man today. Part of Orbit 2017

Anuli Changa reviews Daniel Bye’s interactive mediation on borders, part of Orbit 2017

Sex and violence are inexorably linked in Scottee’s memoir of working class masculinity, reviewed by Theatre Editor Sophie Graci. Part of Orbit 2017

The politics of the EU are explored through the relationship between two performers in Eurohouse, reviewed by Anna Merabishvili. Part of Orbit 2017.

The destruction of an ancient city inspires the breakdown of a relationship in Palmyra