As the show started, and timid guitars gathered together to create a melancholic atmosphere, a fellow spectator echoed my thoughts and turned to ask: “Is this Wolf People?” Yet undeniably, it was. This minimal, almost shy entrance was immediately juxtaposed by the introduction of the anthemic ‘Silbury Sands’ and a raw, guitar-based aggression was installed. At times I found myself returning to the heavy rock heaven of the early ‘70s and, dare I say it, a slight tinge of Led Zeppelin was evident in certain moments, as towering guitar riffs and booming bass lines resonated throughout the jam-packed Deaf Institute.

Not often does a night split itself into extremes as much as this. Opening act Hammers start the night painfully dull for such a crushingly heavy band and, whilst anything but dull, following act Iron Will’s haphazard set leaves you wondering if it is deliberate that they sound so incredibly out of time from one another. No surprise then that they announce to the waiting crowd that they are looking for a new drummer.

Bugged Out! has been at the cutting edge of electro since its conception at Sankeys in 1994. However, the drought of bodies at the door suggested that the excitement surrounding electro-house at the end of the last decade had finally subsided. Luckily, the night left a convincing impression of where the future of this sub-genre may lie.

The Creole Choir of Cuba’s invocatory, cultural whirlwind of a performance at the RNCM left me both astounded and invigorated; grateful that at least in other parts of the world there are musicians who stick to their roots rather than becoming over-produced and losing that raw ‘spirit’ of music. The Creole Choir is not simply a group formed to showcase the outstanding natural talent of their individual voices, they fervently fight to depict the plight of their ancestors who were bought from Africa and forced to work in slave conditions in the sugar and coffee plantations of Cuba.

Youmeatsix were one of the highest rising bands of 2010, having played the British invasion of the US Warped Tour (which also included Enter Shikari and Bring Me the Horizon); the main stage at Reading and Leeds and finally ended the year supporting the album, Hold Me Down, released in January.

My friends and I are waiting in Paddington Station but one of the group looks disgruntled. Finally he utters, “why exactly are we going to a World Music festival?” The correct answer was that we had failed to get tickets to Glastonbury, or any other festival for that matter, but this is still a touchy subject so […]

About to embark on the well trodden path to Mancunion music fame are local 5 piece Dutch Uncles. Coming up in a complete new wave of Manchester electronic/dance sound, Dutch Uncles are not mere replicas of current successes, but act as a complement to this ever growing landscape. The Night & Day Café served as […]

4 Stars Its 7:30pm, and outside the union a group of teenage girls are shelling out £40 each for a ticket. Bearing in mind the normal price was £9.50, it’s not surprising the touts are laughing their heads off. It’s also no surprise to find that at least of half of the crowd is underage, […]

4 Stars It’s always heartening to see a musician enjoying a gig as much as the audience, and Josh Ritter, playing to an almost full Royal Northern College of Music last Wednesday, looked positively ecstatic. At several points he literally jumped for joy, and the rest of the time contented himself with grinning wildly, resembling […]