Theatre Editor Jay Darcy outlines why Reality Z, a post-apocalypse Netflix show based on Charlie Brooker’s Dead Set, is an apocalyptic mess of biblical proportions

Deputy Music Editor Georgina Davidson examines the difficulties in creating, distributing and funding short films

The film industry will not make any progress in overcoming a culture of rape and assault so long as Roman Polanski continues to be successful, argues Kate Jackson

The state of the world nowadays has been given a lot of bad press, says Susannah Eley

Writer Reece Ritchie explores the aftermath of Slowthai’s actions at the NME awards and how the music industry has reacted, giving his opinions on his home town hero’s actions

Learning a language from your parents gives a very different understanding of a language from those taught in school

Do Islanders actually eat? Elena Bradley explores whether the lack of food in Love Island is a facet of their format or an active choice to dehumanize contestants

Online editor, Bec Oakes, explains her disgust at Paramount’s plans to remake Clueless

As Spain’s Gonzalo Caballero suffers a severe injury, Iwan Hopkins submits his opinion on the sport which is always rife with controversy

Writer Garima Singh reminds us that self-care is more than spending money, but is about actually taking care of youself

In light of the raft of sexual misconduct allegations within the film industry, Zofia Gryf-Lowczowska discusses whether or not we truly can separate art from its artist

Thomas Baer puts forward his opinion on what should constitute to a football match ending early

Milo Diduca investigates the root causes of the UK’s food wastage crisis and asks what we can do to help

If women considered the weaker sex, then how come we are to blame when it comes to the destruction of a man’s career or reputation?

Bong Joon Ho’s Korean-language Parasite’s wins big at the Oscars, and Maria Atter explores the many ways that it could impact Hollywood

Tattoos don’t need to have a meaning for you, but a culturally appropriated symbol might have meaning to someone else

Writer Reece Ritchie explores why Hobo Johnson is an artist which people love to love, but, also love to hate and why Hobo Johnson’s own brand of alternativeness is one everyone should explore

There is an interesting moment where brown women in the public eye are caught between mimicking vitriol of white supremacy and silent complacency, Urussa Malik argues